Multiculturalism, postcoloniality, and transnational media

Acknowledgments ,   ,   ,   , Introduction ,   ,   ,   ,   , Ella Shohat , ,   , Robert Stam , ,   , Fanon, Algeria, and the Cinema: The Politics of Identification , ,   ,   ,   ,   , Robert Stam , ,   , Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement , ,   ,   ,   ,   , Peter Bloom , ,   , Dances With Wolves , ,   ,   ,   ,   , Edward D. Castillo , ,   , Screen Memories and Entangled Technologies: Resignifying Indigenous Lives , ,   ,   ,   ,   , Faye Ginsburg , ,   , ``Train of Shadows'': Early Cinema and Modernity in Latin America , ,   ,   ,   ,   , Ana M. Lopez , ,   , Oedipus Tex/Oedipus Mex: Triangulations of Paternity, Race, and Nation in John Sayles's Lone Star , ,   ,   ,   ,   , Julianne Burton-Carvajal , ,   , Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala , ,   ,   ,   ,   , Binita Mehta , ,   , Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media , ,   ,   ,   ,   , Brian Larkin , ,   , The ``I'' Narrator in Black Diaspora Documentary , ,   ,   ,   ,   , Manthia Diawara , ,   , Phobic Spaces and Liminal Panics: Independent Transnational Film Genre , ,   ,   ,   ,   , Hamid Naficy , ,   , ``My Name is Forrest, Forrest Gump'': Whiteness Studies and the Paradox of Particularity , ,   ,   ,   ,   , Robyn Wiegman , ,   , Warrior Marks: Global Womanism's Neo-Colonial Discourse in a Multicultural Context , ,   ,   ,   ,   , Inderpal Grewal , ,   , Caren Kaplan , ,   , Multiculturalism, Dictatorship, and Cinema Vanguards: Philippine and Brazilian Analogies , ,   ,   ,   ,   , Talitha Espiritu , ,   , The Appended Subject: Race and Identity as Digital Assemblage , ,   ,   ,   ,   , Jennifer Gonzalez , , Contributors ,   ,   ,   , Index ,   ,   ,