| Douglas Jerrold - 1846 - 598 páginas
...her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage,- but forgets the dying bird. Aecustomed to kiss the aristoeratic;i 1 hand that hath purloined him from himself, he degenerates into... | |
| Evert Augustus Duyckinck, George Long Duyckinck - 1855 - 294 páginas
...imagination. He pities the plumage, but forgets the dying bird. Accu-tomcd to kiss the ariftocratical hand that hath purloined him from himself, he degenerates...forsakes him. His hero, or his heroine, must be a tragedy victim expiring in show, and not the real pri-oncr of misery sliding iuto death in the silence... | |
| Evert Augustus Duyckinck - 1855 - 718 páginas
...her. lie is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage,...but forgets the dying bird. Accustomed to kiss the aristoeratical hand that hath purloined him from himself, he degenerates into a composition of art,... | |
| Thomas Paine - 1856 - 168 páginas
...heart, but by the showy resemblance of it striking his imagi- . y. nation. He pities tue plumage b'ul forgets the dying bird. Accustomed to kiss the aristocratical...of misery, sliding into death in the silence of a dungpon. Aa Mr. Burke has passed over the whole transaction of the Bastille (and bis silence is nothing... | |
| Evert Augustus Duyckinck, George Long Duyckinck - 1856 - 704 páginas
...her. Ho is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage,...forsakes him. His hero, or his heroine, must be a tragedy victim expiring in show, and not the real prisoner of misery sliding into death in the silence... | |
| Cyrus Redding - 1863 - 982 páginas
...her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage,...bird. Accustomed to kiss the aristocratical hand that has purloined him from himself, he degenerates into a composition of art, and the genuine soul of nature... | |
| Evert Augustus Duyckinck - 1866 - 714 páginas
...pities the plumage, but forgets tho dying bird. Accustomed to kiss the aristocratical band that Tiath purloined him from himself, he degenerates into a composition of art, and tho genuine soul of nature forsakes him. His hero, or his heroine, must be a tragedy victim expiring... | |
| Theodore Dwight Woolsey - 1876 - 508 páginas
...her. He is not affected by the realities of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird" A writer thus known to the American people not only as the champion of their individual rights, but... | |
| Leslie Stephen - 1876 - 494 páginas
...Ib. p. 190. • Ib. p. 192. the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird.' 1 A degraded representative of the popular sympathies, Paine yet feels for the people, instead of treating... | |
| Theodore Dwight Woolsey - 1876 - 524 páginas
...her. He is not affected by the realities of distress touching his heart, bnt by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird." A writer thus known to the American people not only as the champion of their individual rights, but... | |
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