The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... woman. Defining the United Statesin terms of the unparalleled freedom it offeredwomen, despitethe fact thatit denied them the political rights it established formen, early American women praised and explored freedom inthecomedies they ...
... woman. Defining the United Statesin terms of the unparalleled freedom it offeredwomen, despitethe fact thatit denied them the political rights it established formen, early American women praised and explored freedom inthecomedies they ...
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... woman does not refer to spying, the situation thathas permitted her to overhear everything hintsat that possibility. Hateall's insistence that women be forced to quartertroops within their homesimplies that wives ofthe Tory leaderswould ...
... woman does not refer to spying, the situation thathas permitted her to overhear everything hintsat that possibility. Hateall's insistence that women be forced to quartertroops within their homesimplies that wives ofthe Tory leaderswould ...
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... woman held by her father,the pirateBen Hassan “nourished in my mind the loveofliberty and taught me woman was never made to bethe abject slaveofman” (60). Fetnah envisions the home countryofher American friend as “a charming place where ...
... woman held by her father,the pirateBen Hassan “nourished in my mind the loveofliberty and taught me woman was never made to bethe abject slaveofman” (60). Fetnah envisions the home countryofher American friend as “a charming place where ...
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... woman. Active, loyal, courageous, patriotic,thoughtful – thefemale characters of Slavesin Algiers demonstrate, and indeed seemto assume, equality with men. The American women ofthe playfind themselves forced to confront apowerful system ...
... woman. Active, loyal, courageous, patriotic,thoughtful – thefemale characters of Slavesin Algiers demonstrate, and indeed seemto assume, equality with men. The American women ofthe playfind themselves forced to confront apowerful system ...
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... woman, along with herbrother anda female companion, are captured bythe Barbary pirates while on a voyage toseekout Ellinor's fiancé, who has not been heard from in months. They findhimand his servant Zeikelamong the captivesin Algiers ...
... woman, along with herbrother anda female companion, are captured bythe Barbary pirates while on a voyage toseekout Ellinor's fiancé, who has not been heard from in months. They findhimand his servant Zeikelamong the captivesin Algiers ...
Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York