Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 6-10 de 85
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... took place from March of 1988 through 1989 and were organized by Wilhite and composer David Newman. By all accounts, what should have been a fund-raising watershed at New York's Lincoln Center turned into a traumatic and contentious ...
... took place from March of 1988 through 1989 and were organized by Wilhite and composer David Newman. By all accounts, what should have been a fund-raising watershed at New York's Lincoln Center turned into a traumatic and contentious ...
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... took tissue out of the roof of my mouth and grafted it along the portions of my gum line that needed shoring up. It was a disaster, a fouryear process. I had to have braces for a year.” Then a friend thrust into his hands five copies of ...
... took tissue out of the roof of my mouth and grafted it along the portions of my gum line that needed shoring up. It was a disaster, a fouryear process. I had to have braces for a year.” Then a friend thrust into his hands five copies of ...
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... took films, often British, X-rated, and priced so that they could afford them, altered them to make them more palatable to the U.S. audiences, then sold them to hungry home-video distributors and to the burgeoning cable networks like ...
... took films, often British, X-rated, and priced so that they could afford them, altered them to make them more palatable to the U.S. audiences, then sold them to hungry home-video distributors and to the burgeoning cable networks like ...
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... years old, put it on a double bill with SPOB, which had already been out for a year, distributed buttons that read, “Get Pythonized,” and made even more money. Feeding the hungry video maw, they took the outtakes from the two.
... years old, put it on a double bill with SPOB, which had already been out for a year, distributed buttons that read, “Get Pythonized,” and made even more money. Feeding the hungry video maw, they took the outtakes from the two.
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... took the outtakes from the two Secret Policeman pictures and edited them into a 90-minute straight-to-video film called The Secret Policeman's Private Parts that they sold to Media Home Entertainment. Harvey and Bob even resliced The ...
... took the outtakes from the two Secret Policeman pictures and edited them into a 90-minute straight-to-video film called The Secret Policeman's Private Parts that they sold to Media Home Entertainment. Harvey and Bob even resliced The ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York