Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
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... started out as one thing and changed into something else,” she said in 1990. “It became more Hollywood. I haven't been back there since. I haven't been asked.” Adds another board member, “They eliminated the people who created the ...
... started out as one thing and changed into something else,” she said in 1990. “It became more Hollywood. I haven't been back there since. I haven't been asked.” Adds another board member, “They eliminated the people who created the ...
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... started like the Weinsteins, picking over the refuse discarded by their betters, Harvey aspired to intellectual and aesthetic respectability, and when in Cannes he stumbled across Eréndira (1983), a Brazilian film directed by Ruy Guerra ...
... started like the Weinsteins, picking over the refuse discarded by their betters, Harvey aspired to intellectual and aesthetic respectability, and when in Cannes he stumbled across Eréndira (1983), a Brazilian film directed by Ruy Guerra ...
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... started writing the script for the film they hoped would launch their filmmaking careers. The film was part John Hughes movie, part musical. As the story evolved—teenagers inherit a dilapidated, white elephant of a house in a small town ...
... started writing the script for the film they hoped would launch their filmmaking careers. The film was part John Hughes movie, part musical. As the story evolved—teenagers inherit a dilapidated, white elephant of a house in a small town ...
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... started early, even before the beginning of principal photography. Silver remembers, “When I was brought in, two weeks before the shooting started, it was, Help, we're sinking here, and I was supposed to find out who and where the ...
... started early, even before the beginning of principal photography. Silver remembers, “When I was brought in, two weeks before the shooting started, it was, Help, we're sinking here, and I was supposed to find out who and where the ...
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... started turning on you and acting like you're there to harm them, that's where you throw up your hands and go, 'OK, maybe I can't help.' They made all of our lives miserable.” In the end, Silver just gave up. “My job description was ...
... started turning on you and acting like you're there to harm them, that's where you throw up your hands and go, 'OK, maybe I can't help.' They made all of our lives miserable.” In the end, Silver just gave up. “My job description was ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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