Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 6-10 de 86
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... Once the script and the director were set and it was clear the movie could be made for the budget they wanted, then we stepped aside and let the artists do their work. We didn't interfere in the creative process, like, 'We're going to ...
... Once the script and the director were set and it was clear the movie could be made for the budget they wanted, then we stepped aside and let the artists do their work. We didn't interfere in the creative process, like, 'We're going to ...
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... once again, were not about to bend over a second time for maverick filmmakers with their own ideas about how things should be done. This having been said, with certain exceptions, like Jarmusch's work, these films were untouched by the ...
... once again, were not about to bend over a second time for maverick filmmakers with their own ideas about how things should be done. This having been said, with certain exceptions, like Jarmusch's work, these films were untouched by the ...
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... once famously said. He might have added, “If you want someone to see it, you need a distributor.” Says Kevin Smith, “Independent films punched through based on the sales-manship of the distributors that were repping them and the ...
... once famously said. He might have added, “If you want someone to see it, you need a distributor.” Says Kevin Smith, “Independent films punched through based on the sales-manship of the distributors that were repping them and the ...
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... Once, watching a scene from his own picture, he ran his fingers over his face, plucking at his cheeks. “Look at Jimmy [Spader] and Andie [MacDowell],” he exclaimed. “I mean, they have cheekbones. You could plane doors with my face ...
... Once, watching a scene from his own picture, he ran his fingers over his face, plucking at his cheeks. “Look at Jimmy [Spader] and Andie [MacDowell],” he exclaimed. “I mean, they have cheekbones. You could plane doors with my face ...
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... once a year in June, were the heart of Sundance. The assumption governing the lab process was that indies have something to say but lack the skills to say it, and that Hollywood has nothing to say, but says it with great skill. The lab ...
... once a year in June, were the heart of Sundance. The assumption governing the lab process was that indies have something to say but lack the skills to say it, and that Hollywood has nothing to say, but says it with great skill. The lab ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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