The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... careers togain notice in their own times andto leavearecordof their accomplishments, and to include women ofnotein historiesand anthologies. This project grew to include the investigationof known works by women for discussions of women ...
... careers togain notice in their own times andto leavearecordof their accomplishments, and to include women ofnotein historiesand anthologies. This project grew to include the investigationof known works by women for discussions of women ...
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... melodrama Forget Me Not, which she first presented in 1879. She performed theplay more than two thousand times during her career, making the heroine Stephanie her signature role. References to her performances in the.
... melodrama Forget Me Not, which she first presented in 1879. She performed theplay more than two thousand times during her career, making the heroine Stephanie her signature role. References to her performances in the.
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... career is being reexamined andher novel Contending Forces: A Romance Illustrativeof Negro Life North and South, which was originally dismissed becauseof its melodramatic qualities and its concentration on domesticissues,is beingstudied ...
... career is being reexamined andher novel Contending Forces: A Romance Illustrativeof Negro Life North and South, which was originally dismissed becauseof its melodramatic qualities and its concentration on domesticissues,is beingstudied ...
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... career as a comic opera comedienne, and was married to English comedian John H. Ryley,butshe seems to haveleft the stage toconcentrate on writing sometime around 1888 or1889. Her two bestknown playsare Christopher, Jr., whichstarred Nat ...
... career as a comic opera comedienne, and was married to English comedian John H. Ryley,butshe seems to haveleft the stage toconcentrate on writing sometime around 1888 or1889. Her two bestknown playsare Christopher, Jr., whichstarred Nat ...
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Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York