Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 6-10 de 88
Página
Lewis promptly called Saturday Night Live, which, though a bit long in the tooth, was still flush with the success of its early years, and asked them to run the spot. They did, on Weekend Update. Recalls Lewis, “We had a huge story!
Lewis promptly called Saturday Night Live, which, though a bit long in the tooth, was still flush with the success of its early years, and asked them to run the spot. They did, on Weekend Update. Recalls Lewis, “We had a huge story!
Página
Bob, who fancied himself a screenwriter, wrote a baseball script called Grand Slam, with Harvey's help, that went nowhere. In 1980, the brothers made a knockoff of John Carpenter's Halloween series starring Jamie Lee Curtis, ...
Bob, who fancied himself a screenwriter, wrote a baseball script called Grand Slam, with Harvey's help, that went nowhere. In 1980, the brothers made a knockoff of John Carpenter's Halloween series starring Jamie Lee Curtis, ...
Página
A London-based company called J&M Films bought his pitch and agreed to finance the movie to the tune of about $4 million. Built into the structure of most productions is a system of checks and balances—the director against the producer, ...
A London-based company called J&M Films bought his pitch and agreed to finance the movie to the tune of about $4 million. Built into the structure of most productions is a system of checks and balances—the director against the producer, ...
Página
They called in every favor in Christendom—and Jew-dom. They went to Townshend. Peter Townshend! And they got a song from him. “Life to Life.” Simon Lebon from Duran Duran. They got a song from Phil Collins, an outtake from one of his ...
They called in every favor in Christendom—and Jew-dom. They went to Townshend. Peter Townshend! And they got a song from him. “Life to Life.” Simon Lebon from Duran Duran. They got a song from Phil Collins, an outtake from one of his ...
Página
He recalls, “I called everybody I knew in the business to ask for advice, and there wasn't a single person I called who didn't say, 'Whatever you do, don't work for them.'” When Bob offered him the job, he took it.
He recalls, “I called everybody I knew in the business to ask for advice, and there wasn't a single person I called who didn't say, 'Whatever you do, don't work for them.'” When Bob offered him the job, he took it.
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York