The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
Dentro del libro
Resultados 6-10 de 24
Página
... Susan Glaspell born (d. 1948); always on the cutting edge of American theatre,Glaspell will helpfound the Provincetown Players, acompany thatwill produce hermany and manyfaceted plays 1878 Frances Hodgson Burnett'sstage adaptation of ...
... Susan Glaspell born (d. 1948); always on the cutting edge of American theatre,Glaspell will helpfound the Provincetown Players, acompany thatwill produce hermany and manyfaceted plays 1878 Frances Hodgson Burnett'sstage adaptation of ...
Página
... Susan Glaspell founds theProvincetown Players withGeorge Cram Cook and others Angelina Grimké's Rachel (published 1916) is produced at the Myrtill Minor School ... Susan Glaspell's Trifles Clare Kummer's Good Gracious, Annabelle 1917 Susan.
... Susan Glaspell founds theProvincetown Players withGeorge Cram Cook and others Angelina Grimké's Rachel (published 1916) is produced at the Myrtill Minor School ... Susan Glaspell's Trifles Clare Kummer's Good Gracious, Annabelle 1917 Susan.
Página
Brenda Murphy. Susan Glaspell's Trifles Clare Kummer's Good Gracious, Annabelle 1917 Susan Glaspell's TheOutside andThe People 1918 Alice DunbarNelson's Mine Eyes Have Seen Susan Glaspell's Woman's Honor 1919 Mary Burrill's They That Sit ...
Brenda Murphy. Susan Glaspell's Trifles Clare Kummer's Good Gracious, Annabelle 1917 Susan Glaspell's TheOutside andThe People 1918 Alice DunbarNelson's Mine Eyes Have Seen Susan Glaspell's Woman's Honor 1919 Mary Burrill's They That Sit ...
Página
... Susan Glaspell'sfinal play,thePulitzer Prizewinning Alison's House Lorraine Hansberry born (d. 1965); Hansberry will achieve commercial andpopular success and alongwith playwrights such as Alice Childress, earncritical, national ...
... Susan Glaspell'sfinal play,thePulitzer Prizewinning Alison's House Lorraine Hansberry born (d. 1965); Hansberry will achieve commercial andpopular success and alongwith playwrights such as Alice Childress, earncritical, national ...
Página
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Contenido
Realism and feminism in the Progressive | |
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York