Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 11-15 de 93
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... Sundance had become wedded to the kind of watered-down populism that was still hanging around from the 1960s, the kind that animated, if that's the right word, Northern Lights and Heartland. The politically correct, regional Americana ...
... Sundance had become wedded to the kind of watered-down populism that was still hanging around from the 1960s, the kind that animated, if that's the right word, Northern Lights and Heartland. The politically correct, regional Americana ...
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... Sundance “family.” Her film Heartland was a model for the kinds of films Sundance hoped to develop and possibly produce. She attended every lab in the early years, either with a project or as a resource person. “Sundance started out as ...
... Sundance “family.” Her film Heartland was a model for the kinds of films Sundance hoped to develop and possibly produce. She attended every lab in the early years, either with a project or as a resource person. “Sundance started out as ...
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... Sundance, this is all of you.' We appreciated the intention of the remark, but we all knew it was bullshit.” Despite his detractors, Van Wagenen was a decent man and a key player in those early years. But it wasn't too long before he ...
... Sundance, this is all of you.' We appreciated the intention of the remark, but we all knew it was bullshit.” Despite his detractors, Van Wagenen was a decent man and a key player in those early years. But it wasn't too long before he ...
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... Sundance “had become a ship without a rudder.” Trip to Bountiful was a success (it won an Oscar for Geraldine Page) and Van Wagenen returned to Sundance in 1986. Redford, who had not been pleased to see him go, did not seem pleased to ...
... Sundance “had become a ship without a rudder.” Trip to Bountiful was a success (it won an Oscar for Geraldine Page) and Van Wagenen returned to Sundance in 1986. Redford, who had not been pleased to see him go, did not seem pleased to ...
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... Sundance should go. Those people got weeded out. My last Sundance board meeting was held in a conference room at CAA Beverly Hills. Joe Roth was sitting on one side of me and Mike Ovitz on the other, and I looked around, and there were ...
... Sundance should go. Those people got weeded out. My last Sundance board meeting was held in a conference room at CAA Beverly Hills. Joe Roth was sitting on one side of me and Mike Ovitz on the other, and I looked around, and there were ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York