Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... Larry Clark with Kids; Nicole Holofcener with Walking and Talking; Alexander Payne with Citizen Ruth; the Andersons, Wes and P. T. with Bottle Rocket and Boogie Nights; Lisa Cholodenko with High Art; Kim Peirce with Boys Don't Cry; ...
... Larry Clark with Kids; Nicole Holofcener with Walking and Talking; Alexander Payne with Citizen Ruth; the Andersons, Wes and P. T. with Bottle Rocket and Boogie Nights; Lisa Cholodenko with High Art; Kim Peirce with Boys Don't Cry; ...
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“ 'I'm supposed to be going to this audition for some little independent this kid is making. It's out in Brooklyn, and I really don't want to go.' “'Read the script?' “'Yeah.' “'Like it?' “'Yeah, I did, actually.
“ 'I'm supposed to be going to this audition for some little independent this kid is making. It's out in Brooklyn, and I really don't want to go.' “'Read the script?' “'Yeah.' “'Like it?' “'Yeah, I did, actually.
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That's the way it felt, that there was this new vortex that you could head toward that had nothing to do with Hollywood, the sense that, holy shit, some kid with $25,000 from his parents could end up at Sundance Film Festival, ...
That's the way it felt, that there was this new vortex that you could head toward that had nothing to do with Hollywood, the sense that, holy shit, some kid with $25,000 from his parents could end up at Sundance Film Festival, ...
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Explains Robert Newman, now an agent at ICM, but then a kid fresh out of NYU film school gofering for Miramax at $3.50 an hour, “While they were still trying to acquire a film, they would already have sold the home video rights to ...
Explains Robert Newman, now an agent at ICM, but then a kid fresh out of NYU film school gofering for Miramax at $3.50 an hour, “While they were still trying to acquire a film, they would already have sold the home video rights to ...
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... were too poor or too penurious to employ people with experience; they preferred to hire young and hire cheap, took in kids off the street or just out of college. Having taken Lewis's lessons to heart, the brothers made sure they ...
... were too poor or too penurious to employ people with experience; they preferred to hire young and hire cheap, took in kids off the street or just out of college. Having taken Lewis's lessons to heart, the brothers made sure they ...
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Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York