The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... Broadway's commercialtheatres experiencetheir periodof greatest successin the latetwenties, the NationalTheatre Conference isestablished to assist and encourage noncommercial theatre Just fourteen years after Grimké's Rachel, an ...
... Broadway's commercialtheatres experiencetheir periodof greatest successin the latetwenties, the NationalTheatre Conference isestablished to assist and encourage noncommercial theatre Just fourteen years after Grimké's Rachel, an ...
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... Broadway under her own direction in 1952 Gertrude Stein's FourSaints inThree Acts:An Operato BeSung, directed byJohn Houseman 1935 The FederalTheatre Projectis organized and directedby Hallie Flanagan Zoë Akinswins the Pulitzer Prize ...
... Broadway under her own direction in 1952 Gertrude Stein's FourSaints inThree Acts:An Operato BeSung, directed byJohn Houseman 1935 The FederalTheatre Projectis organized and directedby Hallie Flanagan Zoë Akinswins the Pulitzer Prize ...
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... for the Arts established The annualgross for 1964–65 season on Broadway is $50,462,765; approximately 15 percentofthe season is written by women dramatists Georgia Douglas Johnson receives an honorary degree from Atlanta.
... for the Arts established The annualgross for 1964–65 season on Broadway is $50,462,765; approximately 15 percentofthe season is written by women dramatists Georgia Douglas Johnson receives an honorary degree from Atlanta.
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... Broadway directing debut with ExecutionofJustice Paula Vogel's And Baby Makes Seven Jane Wagner's The Search for Signs of Intelligent Life in the Universe 1987 Alice Childress winsthe Harlem School of theArts Humanitarian Award Karen ...
... Broadway directing debut with ExecutionofJustice Paula Vogel's And Baby Makes Seven Jane Wagner's The Search for Signs of Intelligent Life in the Universe 1987 Alice Childress winsthe Harlem School of theArts Humanitarian Award Karen ...
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... Broadway production of Marsha Norman's adaptation of Frances Hodgson Burnett's The Secret Garden is noted for its creative team of women: Norman, book; Lucy Simon, music; Susan H. Schulman,director; Jeanine Levenson, dance ...
... Broadway production of Marsha Norman's adaptation of Frances Hodgson Burnett's The Secret Garden is noted for its creative team of women: Norman, book; Lucy Simon, music; Susan H. Schulman,director; Jeanine Levenson, dance ...
Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
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