 | Mark Twain - 1924 - 394 páginas
...no law. Nothing to do but make the trip ; the how of it is not important, so that the trip is made. With a pen in the hand the narrative stream is a canal...That canal stream is always reflecting; it is its naturc, it can't help it. Its slick shiny surface is interested in everything it passes along the banks... | |
 | Mark Twain - 1924 - 398 páginas
...flows the brook down through the hills and the leafy woodlands, its course changed by every bowlder it comes across and by every grass-clad gravelly spur that projects into its path; its surface broken, but its course not stayed by rocks and gravel on the bottom in the shoal places;... | |
 | A. Robert Lee - 1986 - 216 páginas
...flows the brook down through the hills and the leafy woodlands, its course changed by every bowlder it comes across and by every grass-clad gravelly spur that projects into its path; its surface broken, but its course not stayed by rocks and gravel on the bottom in the shoal places;... | |
 | Mark Twain - 2005 - 850 páginas
...no law. Nothing to do but make the trip; the how of it is not important, so that the trip is made. With a pen in the hand the narrative stream is a canal;...stream is always reflecting; it is its nature, it can 't help it. Its slick shiny surface is interested in everything it passes along the banks — cows,... | |
 | Barbara Ladd - 1997 - 228 páginas
...as flows the brook down through the hills and leafy woodlands, its course changed by every bowlder it comes across and by every grass-clad gravelly spur that projects into its path; its surface broken, but its course not stayed by rocks and gravel on the bottom in the shoal places;... | |
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With the pen in one's hand, narrative is a difficult art; narrative should flow as flows the brook down through the hills and the leafy woodlands, its course changed by every bowlder it comes across and by every grass-clad gravelly spur that projects... 