Film, Politics, and GramsciU of Minnesota Press, 1994 - 280 páginas |
Dentro del libro
Resultados 1-5 de 73
Página x
... production , access to language and sign systems , the anonymous forces of capital that determine these in all their relations — all of this and much more make up the nature of economics , culture , and politics as they intersect in ...
... production , access to language and sign systems , the anonymous forces of capital that determine these in all their relations — all of this and much more make up the nature of economics , culture , and politics as they intersect in ...
Página xiii
... production and consumption of film and other mass media . Yet Gramsci himself wonders if a historicized displacement ... produce a map so multidi- rectional that it presents the reader with no sense of direction , of totality . This is ...
... production and consumption of film and other mass media . Yet Gramsci himself wonders if a historicized displacement ... produce a map so multidi- rectional that it presents the reader with no sense of direction , of totality . This is ...
Página xiv
... production . It might seem idealistic to think of Gramsci this way , but I think that Gramscian critics from Said to Landy have let us see that Gramsci knows thought to be inseparable from the formations that drive production ...
... production . It might seem idealistic to think of Gramsci this way , but I think that Gramscian critics from Said to Landy have let us see that Gramsci knows thought to be inseparable from the formations that drive production ...
Página xv
... production . Such transformations require that the relations between intellectual work and the most powerful , rationalized , and emergent societal system of any time be fully worked out as such ; it means that modes of thought stand ...
... production . Such transformations require that the relations between intellectual work and the most powerful , rationalized , and emergent societal system of any time be fully worked out as such ; it means that modes of thought stand ...
Página xvii
... produce a more literate work force and a more advanced consumer on a world scale . Among other matters at stake in these processes are academic intellectuals ' desires to find a place for themselves in a system that often seems not to ...
... produce a more literate work force and a more advanced consumer on a world scale . Among other matters at stake in these processes are academic intellectuals ' desires to find a place for themselves in a system that often seems not to ...
Contenido
1 | |
The Gramsdan Politics of Culture | 18 |
Socialism andor Democracy Politics Culture and the State | 43 |
Cultural Politics and Common Sense | 73 |
They Were Sisters Common Sense World War II and the Womans Film | 99 |
Looking Backward Versions of History and Common Sense in Recent British Cinema | 123 |
Language Folklore and Politics in the Films of the Taviani Brothers | 155 |
Postmodernism as Folklore in Contemporary Science Fiction Cinema | 185 |
Gramsci beyond Gramsci and the Writings of Antonio Negri | 211 |
Notes | 247 |
Bibliography | 263 |
Index | 271 |
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Términos y frases comunes
analysis antagonisms Antonio Gramsci Antonio Negri aspects become Bobbio British Cinema capital character Chariots of Fire civil society common sense concern conflict contemporary context contradictory create crisis critical critique democracy discourses discussion dominant economic elements emphasis existing explore Fascism female film's filmmakers folklore Fordism formations forms Frankenstein Frankenstein Unbound Fredric Jameson gender genre Gramsci's notion Gramsci's writings Gramscian hegemony Ibid identify ideology images important individual issues Italian Landy Landy's language linked Lucy Marx Marxism mass culture melodrama modern modes narrative nature Negri neorealism neorealist Norberto Bobbio organic intellectuals Padre padrone particular party past peasants popular position postmodern practices present production protagonist Quaderni question relation relationship representation rethinking revolution revolutionary role Sassoon science fiction scientist sexual sisters social specific strategies struggle Stuart Hall subaltern groups Tavianis texts theory thinking tion transformation understanding woman's film women workers
Pasajes populares
Página 126 - ... the way it really was' (Ranke). It means to seize hold of a memory as it flashes up at a moment of danger.
Página 78 - In acquiring one's conception of the world one always belongs to a particular grouping which is that of all the social elements which share the same mode of thinking and acting.
Página 79 - The personality is strangely composite: it contains Stone Age elements and principles of a more advanced science, prejudices from all past phases of history at the local level and intuitions of a future philosophy which will be that of a human race united the world over.
Página 88 - ... operates (mass culture is popular and thus more authentic than high culture, high culture is autonomous and therefore utterly incomparable to a degraded mass culture) — tends to function in some timeless realm of absolute aesthetic judgment, is replaced by a genuinely historical and dialectical approach to these phenomena.
Página 164 - The modern prince, the myth-prince, cannot be a real person, a concrete individual. It can only be an organism, a complex element of society in which a collective will, which has already been recognised and has to some extent asserted itself in action, begins to take concrete form.
Página 82 - Critical understanding of self takes place therefore through a struggle of political "hegemonies" and of opposing directions, first in the ethical field and then in that of politics proper, in order to arrive at the working out at a higher level of one's own conception of reality. Consciousness of being part of a particular hegemonic force (that is to say, political consciousness) is the first stage towards a further progressive selfconsciousness in which theory and practice will finally be one.
Página 1 - We need the power of modern critical theories of how meanings and bodies get made, not in order to deny meaning and bodies, but in order to live in meanings and bodies that have a chance for a future.
Página 1 - our' problem is how to have simultaneously an account of radical historical contingency for all knowledge claims and knowing subjects, a critical practice for recognizing our own 'semiotic technologies' for making meanings, and a no-nonsense commitment to faithful accounts of a 'real...