Reality TV: Realism and RevelationWallflower Press, 2005 - 183 páginas "Reality Television has little to do with reality and everything to do with television form and content. Reality TV takes the reality television phenomenon to be a significant movement within documentary and factual programming. This book analyses new and hybrid genres including observational documentaries, talk shows, game shows, docu-soaps, dramatic reconstructions, law and order programming and twenty-four/seven formats such as Big Brother and Survivor. These programs, both popular with audiences and heavily debated in the media; are at the center of heated debates. These discussions focus on tabloidization, media ethics, voyeurism and the representation of the real". |
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... TV also owe much to the earlier agendas , manifestos and political commitments of documentary filmmakers . Reality TV is culturally significant in the sense that , until its arrival , factual programming had never succeeded as a ...
... TV also owe much to the earlier agendas , manifestos and political commitments of documentary filmmakers . Reality TV is culturally significant in the sense that , until its arrival , factual programming had never succeeded as a ...
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... programming is especially loaded , since by definition , it should occupy a more privileged position in relation to ... programming and its documentary and factual TV forebears has everything to do with ' reality ' , although we always ...
... programming is especially loaded , since by definition , it should occupy a more privileged position in relation to ... programming and its documentary and factual TV forebears has everything to do with ' reality ' , although we always ...
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... factual programming takes on the burden of making sense of reality . This book addresses the changing technologies and practices of realist representation as necessary but it also attends , more extensively , to the political dimensions ...
... factual programming takes on the burden of making sense of reality . This book addresses the changing technologies and practices of realist representation as necessary but it also attends , more extensively , to the political dimensions ...
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... factual film practice . Examining a diverse range of mainstream and alternative documentaries it argues that far from distancing itself from the aesthetics and subject matter of popular forms and narratives , much of the most ...
... factual film practice . Examining a diverse range of mainstream and alternative documentaries it argues that far from distancing itself from the aesthetics and subject matter of popular forms and narratives , much of the most ...
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Términos y frases comunes
aesthetic arguably argued audience authentic BBC2 become behaviour Big Brother Blaine Blaine's body British broadcast broader camera Cathy Come Home celebrity challenge Channel chapter cinéma vérité confessional contemporary contestants conventions crime criminal critics David Blaine death debates depiction Direct Cinema discourse discussion docusoap drama dramatised emotional entertainment Errol Morris ethical everyday example experience factual programming fantasy fictional film subjects filmic filmmaker footage formats Free Cinema genres Griggs housemates increasingly individual interview Judge Judy Ken Loach lives media culture Morris narrative observational documentary overtly participants performance police political Pop Idol popularised present produced programmes psychological public sphere realism reality programming reality TV revealed role scene screen sense serial killer soap soap opera social space spectacle status story structures suggests tabloid talk shows television therapeutic to-camera trauma video diary viewers visual voice voiceover whilst witness working-class
Referencias a este libro
Feminism, Domesticity and Popular Culture Stacy Gillis,Joanne Hollows Sin vista previa disponible - 2008 |