The Tramp in AmericaReaktion Books, 2004 M06 1 - 256 páginas This book provides the first account of the invention of the tramp as a social type in the United States between the 1870s and the 1930s. Tim Cresswell considers the ways in which the tramp was imagined and described and how, by World War II, it was being reclassified and rendered invisible. He describes the "tramp scare" of the late nineteenth century and explores the assumption that tramps were invariably male and therefore a threat to women. Cresswell also examines tramps as comic figures and looks at the work of prominent American photographers which signaled a sympathetic portrayal of this often-despised group. Perhaps most significantly, The Tramp in America calls into question the common assumption that mobility played a central role in the production of American identity. “This is an effective, and sometimes touching, account of how a social phenomenon was created, classified and reclassified. The quality of the writing, the excellent illustrations and the high production standards give this reasonably-priced hardback a chance of appealing to a general audience . . . an important contribution to American studies, providing new perspectives on the significance of mobility and rootlessness at an important time in the development of the nation. Cresswell successfully illuminates the history of a disadvantaged and marginal group, while providing a lens by which to focus on the thinking and practices of the mainstream culture with which they dealt. As such, this book represents a considerable achievement.”—Cultural Geographies “An important book. Cresswell has made an important contribution to a homelessness literature still lacking a more sophisticated theoretical edge. Clearly written, beautifully illustrated and with a strong argument throughout, the book deserves to be widely read by students and practitioners alike.”—Progress in Human Geography |
Dentro del libro
Resultados 1-5 de 39
Página 15
... Modern man', he continues, might be so mobile that he can never establish roots and his experience of place may be all too superficial.21 Tuan's world is full of edifices material, aesthetic and moral that point towards place as an ...
... Modern man', he continues, might be so mobile that he can never establish roots and his experience of place may be all too superficial.21 Tuan's world is full of edifices material, aesthetic and moral that point towards place as an ...
Página 17
... modern Europe, were described by the guardians of a spatialized and increasingly disciplinary order, as anarchic mirror-images of order: What made the vagabond so terrifying was his apparent freedom to move and so to escape the net of ...
... modern Europe, were described by the guardians of a spatialized and increasingly disciplinary order, as anarchic mirror-images of order: What made the vagabond so terrifying was his apparent freedom to move and so to escape the net of ...
Página 18
... modern order to replace the older feudal certainties. Because vagrants were rootless and moved beyond the bounds of the local, the older forms of control and order could no longer put them in their place. Thus when the modern state ...
... modern order to replace the older feudal certainties. Because vagrants were rootless and moved beyond the bounds of the local, the older forms of control and order could no longer put them in their place. Thus when the modern state ...
Página 20
... modern nations are so thoroughly infused with stories of wandering, of heroic migrancy and pilgrimage as are the Americans. Clearly, mobility as a geographical phenomenon in American life is linked to a number of ideological themes ...
... modern nations are so thoroughly infused with stories of wandering, of heroic migrancy and pilgrimage as are the Americans. Clearly, mobility as a geographical phenomenon in American life is linked to a number of ideological themes ...
Página 22
... modern world and thus produced a more sympathetic and heroic figure. In chapter Seven I examine the tramp as a subject of the documentary photography of Jacob Riis, John James McCook and Dorothea Lange in the context of the wider ...
... modern world and thus produced a more sympathetic and heroic figure. In chapter Seven I examine the tramp as a subject of the documentary photography of Jacob Riis, John James McCook and Dorothea Lange in the context of the wider ...
Contenido
7 | |
23 | |
Knowing the Tramp | 48 |
Gendering the Tramp | 87 |
Pathologizing the Tramp | 127 |
Picturing the Tramp | 171 |
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Términos y frases comunes
Anderson Antiquarian and Landmarks argued audience became Ben Reitman body Butler-McCook Archives California central Century Magazine Chaplin Chaplin's tramp character Charlie Chaplin Chicago School clothes comedy comic concentric ring model construction criminal cultural developed deviance disease documentary photography Dorothea Lange Ernest Burgess female tramps film Flynt forms of knowledge fugue gender geography groups Happy Hooligan hobo homeless human Ian Hacking Ibid illus images labour Landmarks Society laughter linked Little Tramp lives London male marginal masculine McCook migrants mobility Modern moral movement nomadic normal Outcast Outcast Islands pathological photographs picture police poor problem produced prostitutes railroad Reitman Riis Riis's road role Roy Stryker slapstick social reformers Sociology space stories Stryker suggested syphilis threat Tim Cresswell train tramp laws tramp scare tramps and hobos transformation transgression urban vagabond vagrancy vagrancy laws vaudeville wandering woman women workers York