Side/LinesRob McLennan Insomniac Press, 2009 - 274 páginas This anthology offers refereshing, cogent and insightful explanations of why young poets and writers do what they do. The thirty pieces in side/lines OCo by a unique variety of Canadian writers working in numerous genres OCo reflect on why writers write. Their reflections are not to be held as gospel or lifelong theories, but can be considered writing strategies drawn up at specific points in time, informed by certain unavoidable material conditions, such as current politics and emotions. Ask these writers to explain their craft in ten years, and you may be surprised by their answers." |
Dentro del libro
Resultados 1-5 de 16
Página 21
... The sun lift an awning over the lake The cabinny little house my father and mother already up 1979 80 81 university years no more high school grunge doves cooing Dana Bath A Garish Simulacrum of Being Alive I decided - 21.
... The sun lift an awning over the lake The cabinny little house my father and mother already up 1979 80 81 university years no more high school grunge doves cooing Dana Bath A Garish Simulacrum of Being Alive I decided - 21.
Página 26
... mother and my mother's girlfriend are waiting for me in front of a yellow half- schoolbus . As soon as I see them I have a seizure of regret , thinking of him still asleep , long and heavy and warm in the crumpled sheets , while I'm out ...
... mother and my mother's girlfriend are waiting for me in front of a yellow half- schoolbus . As soon as I see them I have a seizure of regret , thinking of him still asleep , long and heavy and warm in the crumpled sheets , while I'm out ...
Página 28
... mother convinced you to leave me ? " " My mother isn't talking much . I can't tell if it's because I've pissed her off or because she feels guilty about not inviting you . " " Does she not want to meet me or do you not want her to meet ...
... mother convinced you to leave me ? " " My mother isn't talking much . I can't tell if it's because I've pissed her off or because she feels guilty about not inviting you . " " Does she not want to meet me or do you not want her to meet ...
Página 33
... mother . " " Why ? " he asked . I didn't answer . I tried to imagine what sort of answer he wanted . " You're fine , " he said . " There's no need to make her worry . " He got up and emptied the teapot . I waited until he went to bed ...
... mother . " " Why ? " he asked . I didn't answer . I tried to imagine what sort of answer he wanted . " You're fine , " he said . " There's no need to make her worry . " He got up and emptied the teapot . I waited until he went to bed ...
Página 45
... mother . Take me home . " The snakes twined about him , twining , twisting , across his tall prostrated form , spasming against his frail limbs . One by one by one one by one by one by one he re moved he re he moved re he re he re by ...
... mother . Take me home . " The snakes twined about him , twining , twisting , across his tall prostrated form , spasming against his frail limbs . One by one by one one by one by one by one he re moved he re he moved re he re he re by ...
Contenido
The Function Field Of Speech Language | 153 |
Sweet Poetry or Mystery Meat? | 165 |
a quick poetics | 173 |
Holding Pattern | 180 |
An Autobiographical Poetics | 185 |
Poem as Collage of the Real | 193 |
The Double Voice and Jazz Ethics | 204 |
Berlin | 223 |
his little fraught patriation of forms | 75 |
SelfInterview | 80 |
Notes Towards an Articulatory Poetics | 92 |
Damsel in Da Dress | 108 |
Notes Towards an Operational Poetics | 114 |
A Poetics of Polymedial Pasties | 118 |
Happy the GhostBoy | 127 |
A POETICS | 134 |
Poser | 144 |
Writing the Eye a game of cats cradle | 231 |
Uses Not Muses | 239 |
My Meteoric Rise to ObscurityA Treatise On the Merits of Lexiconjury Deliriomancy and Icelandic Breakfast Foods | 249 |
FIRST WORDS | 263 |
author bios | 265 |
related and recommended reading | 272 |
acknowledgements | 273 |
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Términos y frases comunes
Addie articulation Bayle become blue body book of poetry bpNichol breath Butoh called Canadian Canadian poetry Check Coach House Books coffee Conundrum Press copping cultural derek beaulieu Dion McGregor discourse dream Erin Mouré eyes face feel fiction fingers flicker Fred Wah fuck George Bowering globalization hands head horse-leech imagine Insomniac jazz JC/ILS kind kiss language legs literary literature live look mean mother mouth move Natalee Caple never night noise novel once Pat's piece play poem poetics poets Pontiac Trans-Am prose pull reader rhythm rob mclennan sense sentence skin snakes someone soul sound Sound Poetry stone story sure talking Talonbooks tell Tender Ocean Tess Fragoulis theory there's things thought tion tongue Toronto touch trying turn Vancouver voice Warren watch Wayde Compton what's words writing
Pasajes populares
Página 208 - one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's somatized contexts, serving other people's intentions: it is from there that one must...
Página 127 - Could we with ink the ocean fill, and were the skies of parchment made, Were every stalk on earth a quill, and every man a scribe by trade, To write the love of God above, would drain the ocean dry. Nor could the scroll contain the whole, though stretched from sky to sky, O love of God, how rich and pure!
Página 56 - A great beast's foot is chained. It stamps, and stamps, and stamps.
Página 47 - And the eyes of them both were opened, and they knew that they were naked, and they sewed fig leaves together and made themselves aprons.
Página 93 - Mouffe's theoretical concepts: [W]e will call articulation any practice establishing a relation among elements such that their identity is modified as a result of the articulatory practice.
Página 83 - I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle ; so that I neither saw nor heard as those without might see and hear.
Página 196 - The more you understand an age, the more convinced you become that the images a given poet used and which you thought his own were taken almost unchanged from another poet. The works of poets are classified or grouped according to the new techniques that poets discover and share, and according to their arrangement and development of the resources of language; poets are much more concerned with arranging images than with creating them. Images are given to poets; the ability...
Página 196 - ... a given poet used and which you thought his own were taken almost unchanged from another poet. The works of poets are classified or grouped according to the new techniques that poets discover and share, and according to their arrangement and development of the resources of language; poets are much more concerned with arranging images than with creating them. Images are given to poets; the ability to remember them is far more important than the ability to create them.
Página 93 - Thus, a theory of articulation is both a way of understanding how ideological elements come, under certain conditions, to cohere together within a discourse, and a way of asking how they do or do not become articulated, at specific conjunctures, to certain political subjects.
Página 93 - Articulation links this practice to that effect, this text to that meaning, this meaning to that reality, this experience to those politics. And these links are themselves articulated into larger structures, etc.