Side/LinesRob McLennan Insomniac Press, 2009 - 274 páginas This anthology offers refereshing, cogent and insightful explanations of why young poets and writers do what they do. The thirty pieces in side/lines OCo by a unique variety of Canadian writers working in numerous genres OCo reflect on why writers write. Their reflections are not to be held as gospel or lifelong theories, but can be considered writing strategies drawn up at specific points in time, informed by certain unavoidable material conditions, such as current politics and emotions. Ask these writers to explain their craft in ten years, and you may be surprised by their answers." |
Dentro del libro
Resultados 1-5 de 22
Página 29
... blue eyes , my dear . In Japan you'd be a star with eyes like that , although many people would be afraid of you . " " Thank you , " I say . Pat glances over her shoulder with a smirk , but Addie tilts her cropped blonde head to one ...
... blue eyes , my dear . In Japan you'd be a star with eyes like that , although many people would be afraid of you . " " Thank you , " I say . Pat glances over her shoulder with a smirk , but Addie tilts her cropped blonde head to one ...
Página 30
... of eyebrows gives him the look of an extraterrestrial creature surprised by the human condition . He has deep lines around the eyes and mouth ; he might not be much older than forty , but he might be sixty . He also has blue — 30 —–
... of eyebrows gives him the look of an extraterrestrial creature surprised by the human condition . He has deep lines around the eyes and mouth ; he might not be much older than forty , but he might be sixty . He also has blue — 30 —–
Página 31
... blue brought out by a grey - and - blue bandanna he's tied around his bald head . " You're a hard one , truth be told , " he says . " Why don't you tell me a secret , and I'll take it from there . Tell me what you want out of this life ...
... blue brought out by a grey - and - blue bandanna he's tied around his bald head . " You're a hard one , truth be told , " he says . " Why don't you tell me a secret , and I'll take it from there . Tell me what you want out of this life ...
Página 32
... blue eyes steadily on mine until he trips slightly on a tree root and falls a step behind . I laugh . " I tried marriage . It's not much of a guarantee . " " No , it's not a guarantee . " His voice is muffled , and I turn to find him ...
... blue eyes steadily on mine until he trips slightly on a tree root and falls a step behind . I laugh . " I tried marriage . It's not much of a guarantee . " " No , it's not a guarantee . " His voice is muffled , and I turn to find him ...
Página 34
... blue like mine ; they're a dark hazel , but they're the same large round shape , although Pat's vision was perfect until several years ago , when her doctor told her she needed bifo- cals , and she laughed at him . " There's something I ...
... blue like mine ; they're a dark hazel , but they're the same large round shape , although Pat's vision was perfect until several years ago , when her doctor told her she needed bifo- cals , and she laughed at him . " There's something I ...
Contenido
The Function Field Of Speech Language | 153 |
Sweet Poetry or Mystery Meat? | 165 |
a quick poetics | 173 |
Holding Pattern | 180 |
An Autobiographical Poetics | 185 |
Poem as Collage of the Real | 193 |
The Double Voice and Jazz Ethics | 204 |
Berlin | 223 |
his little fraught patriation of forms | 75 |
SelfInterview | 80 |
Notes Towards an Articulatory Poetics | 92 |
Damsel in Da Dress | 108 |
Notes Towards an Operational Poetics | 114 |
A Poetics of Polymedial Pasties | 118 |
Happy the GhostBoy | 127 |
A POETICS | 134 |
Poser | 144 |
Writing the Eye a game of cats cradle | 231 |
Uses Not Muses | 239 |
My Meteoric Rise to ObscurityA Treatise On the Merits of Lexiconjury Deliriomancy and Icelandic Breakfast Foods | 249 |
FIRST WORDS | 263 |
author bios | 265 |
related and recommended reading | 272 |
acknowledgements | 273 |
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Términos y frases comunes
Addie articulation Bayle become blue body book of poetry bpNichol breath Butoh called Canadian Canadian poetry Check Coach House Books coffee Conundrum Press copping cultural derek beaulieu Dion McGregor discourse dream Erin Mouré eyes face feel fiction fingers flicker Fred Wah fuck George Bowering globalization hands head horse-leech imagine Insomniac jazz JC/ILS kind kiss language legs literary literature live look mean mother mouth move Natalee Caple never night noise novel once Pat's piece play poem poetics poets Pontiac Trans-Am prose pull reader rhythm rob mclennan sense sentence skin snakes someone soul sound Sound Poetry stone story sure talking Talonbooks tell Tender Ocean Tess Fragoulis theory there's things thought tion tongue Toronto touch trying turn Vancouver voice Warren watch Wayde Compton what's words writing
Pasajes populares
Página 208 - one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's somatized contexts, serving other people's intentions: it is from there that one must...
Página 127 - Could we with ink the ocean fill, and were the skies of parchment made, Were every stalk on earth a quill, and every man a scribe by trade, To write the love of God above, would drain the ocean dry. Nor could the scroll contain the whole, though stretched from sky to sky, O love of God, how rich and pure!
Página 56 - A great beast's foot is chained. It stamps, and stamps, and stamps.
Página 47 - And the eyes of them both were opened, and they knew that they were naked, and they sewed fig leaves together and made themselves aprons.
Página 93 - Mouffe's theoretical concepts: [W]e will call articulation any practice establishing a relation among elements such that their identity is modified as a result of the articulatory practice.
Página 83 - I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle ; so that I neither saw nor heard as those without might see and hear.
Página 196 - The more you understand an age, the more convinced you become that the images a given poet used and which you thought his own were taken almost unchanged from another poet. The works of poets are classified or grouped according to the new techniques that poets discover and share, and according to their arrangement and development of the resources of language; poets are much more concerned with arranging images than with creating them. Images are given to poets; the ability...
Página 196 - ... a given poet used and which you thought his own were taken almost unchanged from another poet. The works of poets are classified or grouped according to the new techniques that poets discover and share, and according to their arrangement and development of the resources of language; poets are much more concerned with arranging images than with creating them. Images are given to poets; the ability to remember them is far more important than the ability to create them.
Página 93 - Thus, a theory of articulation is both a way of understanding how ideological elements come, under certain conditions, to cohere together within a discourse, and a way of asking how they do or do not become articulated, at specific conjunctures, to certain political subjects.
Página 93 - Articulation links this practice to that effect, this text to that meaning, this meaning to that reality, this experience to those politics. And these links are themselves articulated into larger structures, etc.