Professions of Taste: Henry James, British Aestheticism, and Commodity CultureStanford University Press, 1990 - 305 páginas The author traces Henry James's career-long encounter with the tradition of British aestheticism and places both in the context of the late-19th-century's professionalization and commodification of literary life. Professions of Taste reopens the question of later James in a new fashion and with a new perspective. A richer genealogy of modernism, and indeed postmodernism, begins to take shape, in which both the problematics of British aestheticism and James's relations with it play an important role. This book aims to enlighten the reader's understanding of the way Pre-Raphaelite concerns fertilized the aestheticist breeding grounds of Anglo-American modernism. |
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Contenido
The Embrace of Contraries | 1 |
British Aestheticism and American Culture | 79 |
James Pater and the Discovery of Aestheticism | 133 |
James Wilde and the Incorporation of Aestheticism | 167 |
British Aestheticism and | 202 |
Notes | 261 |
281 | |
Otras ediciones - Ver todas
Professions of Taste: Henry James, British Aestheticism and Commodity Culture Jonathan Freedman,Jonathan L. Freedman Sin vista previa disponible - 1990 |
Términos y frases comunes
achieve aesthetic movement aestheticist American Anglo-American argued artistic assertion audience beauty British aestheticism career century cism claims commodification commodity complicated consciousness critique cultural criticism decadent define Dorian Gray Eliot elite England essay example experience fiction figure fin de siècle fully Golden Bowl Henry James high-cultural ideal imaginative increasingly intense Isabel James's Jamesian John Ruskin Kate language literary Madame Merle Maggie Maggie's Marius Maurier Milly Milly's modernism modernist moral Morris Morris's Nash Nick Norton notion novel Oscar Wilde Osmond painting Pater Paterian perfect performed perhaps play poem poet poetry Portrait posed Pre-Raphaelite precisely problematic professional R. P. Blackmur reifying Renaissance represents response rhetoric Roderick Hudson role Romantic Rossetti Ruskin Ruskinian satirical scene seems sense social society Strether suggests Swinburne T. S. Eliot taste theticism tion tradition of British transcendent transformation turn ultimately valorization Victorian vision Walter Pater Wilde's words writers