The Translator's TurnJohns Hopkins University Press, 1991 - 318 páginas Despite landmark works in translation studies such as George Steiner's After Babel and Eugene Nida's The Theory and Practice of Translation, most of what passes as con-temporary "theory" on the subject has been content to remain largely within the realm of the anecdotal. Not so Douglas Robinson's ambitious book, which, despite its author's protests to the contrary, makes a bid to displace (the deconstructive term is apposite here) a gamut of earlier cogitations on the subject, reaching all the way back to Cicero, Augustine, and Jerome. Robinson himself sums up the aim of his project in this way: "I want to displace the entire rhetoric and ideology of mainstream translation theory, which ... is medieval and ecclesiastical in origin, authoritarian in intent, and denaturing and mystificatory in effect." -- from http://www.jstor.org (Sep. 12, 2014). |
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Página 3
... play . It be- comes a drama of touching . The triumph of finite sexuality is to be liberated from play into the body . The essence of infinite sexuality is to be liberated into play with the body . In finite sexuality , I expect to ...
... play . It be- comes a drama of touching . The triumph of finite sexuality is to be liberated from play into the body . The essence of infinite sexuality is to be liberated into play with the body . In finite sexuality , I expect to ...
Página 127
... play — else a different game is being played . It is on this point that we find the most critical distinction between finite and infinite play . The rules of an infinite game must change in the course of play . The rules are changed ...
... play — else a different game is being played . It is on this point that we find the most critical distinction between finite and infinite play . The rules of an infinite game must change in the course of play . The rules are changed ...
Página 194
... play , they do not play for themselves . The contradiction of finite play is that the players desire to bring play to an end for themselves . The paradox of infinite play is that the players desire to continue the play in others . The ...
... play , they do not play for themselves . The contradiction of finite play is that the players desire to bring play to an end for themselves . The paradox of infinite play is that the players desire to continue the play in others . The ...
Contenido
The Idiosomatics of Translation | 15 |
The Ideosomatics of Translation | 29 |
Instrumentalism | 54 |
Derechos de autor | |
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Términos y frases comunes
abstract advertising Augustine Augustine's Augustinian Bakhtin become Benjamin Bible translation body Buber Burke called chapter Christian complexity conversion course cultural Derrida dialectic dialogical diversity dualism emotional English equivalence ethical Eugene Nida example experience fact feel Finnish George Steiner God's Goethe Harold Bloom hermeneutical heteroglossia human I-You ically ideal ideology ideosomatic programming instrument interpretation ironic translator Kenneth Burke kind language lation liberal linguistic logical logological Luther mainstream translation matic meaning medieval metalepsis metaphor metonymic mind never original paradigm perfect perfectionism perfectionist person perverse poem poet political rhetoric romantic sense sense-for-sense shift SL and TL SL author SL text SL writer somatic response speak specific speech spirit stable Steiner subversion synecdochic talk theorists things third seal tion TL reader TL receptor tradition trans transcendental translation theory translator's trope turn understanding Väinämöinen Western translation word-for-word words ἐν καὶ
Referencias a este libro
Routledge Encyclopedia of Translation Studies Mona Baker,Kirsten Malmkjær Sin vista previa disponible - 1998 |