Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... kids who, under the influence of drugs, European cinema, and the antiwar movement, exploited a nearly bankrupt studio system to produce the best American films of the second half of the century. The New Hollywood lasted a scant ten ...
... kids who, under the influence of drugs, European cinema, and the antiwar movement, exploited a nearly bankrupt studio system to produce the best American films of the second half of the century. The New Hollywood lasted a scant ten ...
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... kids who went to the movies that year also lined up to see the first Star Trek, and the second Rocky, The Amityville Horror, 10, Buck Rogers in the 25th Century, Hurricane, and Meteor. The new Hollywood had ended, more or less, by 1975 ...
... kids who went to the movies that year also lined up to see the first Star Trek, and the second Rocky, The Amityville Horror, 10, Buck Rogers in the 25th Century, Hurricane, and Meteor. The new Hollywood had ended, more or less, by 1975 ...
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... Kid, on August 1, 1968, he and his partners bought the Timp Haven ski and recreation area. He must have thought, Build a ski resort and they will come. What he didn't know was that because of its comparatively low elevation, his resort ...
... Kid, on August 1, 1968, he and his partners bought the Timp Haven ski and recreation area. He must have thought, Build a ski resort and they will come. What he didn't know was that because of its comparatively low elevation, his resort ...
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... Kid. The whiff of outlawry that came with the name flattered his sense of himself as a Hollywood maverick. Or better, the new enterprise suggested a movie like The Magnificent Seven, with Redford like Steve McQueen, the golden-haired ...
... Kid. The whiff of outlawry that came with the name flattered his sense of himself as a Hollywood maverick. Or better, the new enterprise suggested a movie like The Magnificent Seven, with Redford like Steve McQueen, the golden-haired ...
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... kid brother. Harvey always stuck up for him, saying things like, “You might not think Bobby's valuable to this company, but he is. And if you don't believe it, you can get the hell out. Don't fuck with my brother.” But Bobby wanted to ...
... kid brother. Harvey always stuck up for him, saying things like, “You might not think Bobby's valuable to this company, but he is. And if you don't believe it, you can get the hell out. Don't fuck with my brother.” But Bobby wanted to ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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