Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... turned down, it's back to the convenience store or social work school. Moreover, if you cross Sundance, you won't be able to take advantage of the labs or the tender loving care it offers. Even though Robert Redford's record as the jefe ...
... turned down, it's back to the convenience store or social work school. Moreover, if you cross Sundance, you won't be able to take advantage of the labs or the tender loving care it offers. Even though Robert Redford's record as the jefe ...
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... turned for help, the old Premiere gang, now scattered to the four winds, Susan Lyne, Rachel Abramowitz, Corie Brown, John Clark, Nancy Griffin, Holly Millea, Howard Karren, Kim Masters, Christine Spines, and Mark Malkin, as well as Carl ...
... turned for help, the old Premiere gang, now scattered to the four winds, Susan Lyne, Rachel Abramowitz, Corie Brown, John Clark, Nancy Griffin, Holly Millea, Howard Karren, Kim Masters, Christine Spines, and Mark Malkin, as well as Carl ...
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... turned to new young filmmakers to figure it out for them. The exact same thing happened across the '90s, and when this generation came ofage, it put out very original, distinctive, mature work. They revitalized American films after a ...
... turned to new young filmmakers to figure it out for them. The exact same thing happened across the '90s, and when this generation came ofage, it put out very original, distinctive, mature work. They revitalized American films after a ...
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... turned upside down in the 1970s was set right side up again. Cops regained their glow, even if they were black and ... turning their backs on the whole sorry mess. Redford was not your garden-variety celebrity. Even though he was ...
... turned upside down in the 1970s was set right side up again. Cops regained their glow, even if they were black and ... turning their backs on the whole sorry mess. Redford was not your garden-variety celebrity. Even though he was ...
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... turned were puffy, downclad filmmakers looking like so many Pillsbury Doughboys flogging their films. Sundance had taken over the ailing U.S. Film Festival in 1985, despite Redford's publicly stated objection to festivals. They involved ...
... turned were puffy, downclad filmmakers looking like so many Pillsbury Doughboys flogging their films. Sundance had taken over the ailing U.S. Film Festival in 1985, despite Redford's publicly stated objection to festivals. They involved ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York