Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... of Robert Redford's Sundance Institute, took on Hollywood and won, only then to become infected by the very studio mentality they had set out to defeat. ... a gloriously bitchy account of Robert Redford and his Sundance Institute.
... of Robert Redford's Sundance Institute, took on Hollywood and won, only then to become infected by the very studio mentality they had set out to defeat. ... a gloriously bitchy account of Robert Redford and his Sundance Institute.
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After some ugly disputes, Bob took the film away from Zwigoff and had a different director reshoot the ending. (Zwigoff subsequently returned to the picture.) The Coens, one or both, reportedly remarked, dourly, “We've spent our whole ...
After some ugly disputes, Bob took the film away from Zwigoff and had a different director reshoot the ending. (Zwigoff subsequently returned to the picture.) The Coens, one or both, reportedly remarked, dourly, “We've spent our whole ...
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... Greg Nava's El Norte (1984) that took in $2.2 million; and a string of John Waters' pictures featuring Divine, Mink Stole, and the rest of his patented menagerie of weirdos. In 1984, Jim Jarmusch made Stranger Than Paradise, ...
... Greg Nava's El Norte (1984) that took in $2.2 million; and a string of John Waters' pictures featuring Divine, Mink Stole, and the rest of his patented menagerie of weirdos. In 1984, Jim Jarmusch made Stranger Than Paradise, ...
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... talented entrepreneurs who took chances on pictures that no one thought would sell. As Project Green Light has taught us, when budgets are low and shooting schedules short, the drama behind the camera is as compelling as the drama ...
... talented entrepreneurs who took chances on pictures that no one thought would sell. As Project Green Light has taught us, when budgets are low and shooting schedules short, the drama behind the camera is as compelling as the drama ...
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The bean counters took charge, snuffing the flames of originality that still flickered among the proponents of the easily digested, “high concept” pictures that were being packaged with recognizable faces for pre-existing audiences and ...
The bean counters took charge, snuffing the flames of originality that still flickered among the proponents of the easily digested, “high concept” pictures that were being packaged with recognizable faces for pre-existing audiences and ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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