Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... told so often they enjoyed the ring of truth. Here, in resurrecting the 1990s, the enemy is hydra-headed: lies, fear, and lack of historical perspective. The disconnect between appearance, as it is presented in the media, and the ...
... told so often they enjoyed the ring of truth. Here, in resurrecting the 1990s, the enemy is hydra-headed: lies, fear, and lack of historical perspective. The disconnect between appearance, as it is presented in the media, and the ...
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... told the press—“We're artists. We're not interested in money”—he didn't much care about Truffaut. As former Miramax executive Patrick McDarrah succinctly put it, “This business is about ego and greed. Harvey is ego, Bob is greed.” Bob ...
... told the press—“We're artists. We're not interested in money”—he didn't much care about Truffaut. As former Miramax executive Patrick McDarrah succinctly put it, “This business is about ego and greed. Harvey is ego, Bob is greed.” Bob ...
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... told me, 'This guy wants me to do it, it's nine or ten weekends, at his parents' house, he's got $25,000.' “'Connie, you've never been in a movie. Just do it for the experience.' She did it, and five months later she told me, 'I saw ...
... told me, 'This guy wants me to do it, it's nine or ten weekends, at his parents' house, he's got $25,000.' “'Connie, you've never been in a movie. Just do it for the experience.' She did it, and five months later she told me, 'I saw ...
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... told him that Redford wanted to be in business with him. Don Simpson and Jerry Bruckheimer's office phoned. For someone like Soderbergh, the uber-producers represented everything that was toxic about the business, and he didn't even ...
... told him that Redford wanted to be in business with him. Don Simpson and Jerry Bruckheimer's office phoned. For someone like Soderbergh, the uber-producers represented everything that was toxic about the business, and he didn't even ...
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... told him he was interested in Lem Dobbs's Kafka script. Kafka had been circulating for years and enjoyed a considerable underground cachet, but no one would touch it because it had “uncommercial” written all over it. Meanwhile, Pollack ...
... told him he was interested in Lem Dobbs's Kafka script. Kafka had been circulating for years and enjoyed a considerable underground cachet, but no one would touch it because it had “uncommercial” written all over it. Meanwhile, Pollack ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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