Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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The shadow of Peter Biskind's tell-all Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film hangs over the proceedings. In his remarks before the opening night screening of the surf documentary Riding Giants, ...
The shadow of Peter Biskind's tell-all Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film hangs over the proceedings. In his remarks before the opening night screening of the surf documentary Riding Giants, ...
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He loved to tell the story about going to see The 400 Blows when he was fourteen, which he believed, for reasons best known to himself, to be a sex film, but during the course of the hour and a half he spent in the theater, ...
He loved to tell the story about going to see The 400 Blows when he was fourteen, which he believed, for reasons best known to himself, to be a sex film, but during the course of the hour and a half he spent in the theater, ...
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By the 1990s, Hollywood had become even more focused on comic book, event pictures than it had been in the previous decade, creating a space, not to say an entire continent, for filmmakers who wanted to tell stories with a human scale.
By the 1990s, Hollywood had become even more focused on comic book, event pictures than it had been in the previous decade, creating a space, not to say an entire continent, for filmmakers who wanted to tell stories with a human scale.
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The reason Gary Beer lives is to tell people he works for Bob Redford. He was willing to do whatever he thought Bob wanted. It was, 'Yes Bob, yes Bob.'” Many blamed Redford for Beer. “Bob had blinders on about Gary,” says a source.
The reason Gary Beer lives is to tell people he works for Bob Redford. He was willing to do whatever he thought Bob wanted. It was, 'Yes Bob, yes Bob.'” Many blamed Redford for Beer. “Bob had blinders on about Gary,” says a source.
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They would yell at you for something that they told you yesterday, and the next day tell you that's not what they said at all. Something was great one minute and horrible the next. I'm professionally accustomed to cutting directors a ...
They would yell at you for something that they told you yesterday, and the next day tell you that's not what they said at all. Something was great one minute and horrible the next. I'm professionally accustomed to cutting directors a ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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