Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... Star/Scripps Howard News Service “[Down and Dirty Pictures] is the second of two wild, racy, informal Biskind histories (the first was Easy Riders, Raging Bulls) which, taken together, will comprise, for quite a while, the definitive ...
... Star/Scripps Howard News Service “[Down and Dirty Pictures] is the second of two wild, racy, informal Biskind histories (the first was Easy Riders, Raging Bulls) which, taken together, will comprise, for quite a while, the definitive ...
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... stars, inaugurated a three-day conference of filmmakers and arts professionals at his home, a big-beamed ski lodge ... Star Trek, and the second Rocky, The Amityville Horror, 10, Buck Rogers in the 25th Century, Hurricane, and Meteor ...
... stars, inaugurated a three-day conference of filmmakers and arts professionals at his home, a big-beamed ski lodge ... Star Trek, and the second Rocky, The Amityville Horror, 10, Buck Rogers in the 25th Century, Hurricane, and Meteor ...
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... Star Wars started, the studios went off on a trip of their own, fueled by cash, not drugs. In the perennial tug-of ... stars. Hollywood abandoned the experimentation of the previous decade, losing interest.
... Star Wars started, the studios went off on a trip of their own, fueled by cash, not drugs. In the perennial tug-of ... stars. Hollywood abandoned the experimentation of the previous decade, losing interest.
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... star vehicles crafted by George Roy Hill and Sydney Pollack, Redford was not about to volunteer for the next Dennis Hopper flick, which is to say, he was not going to hop aboard the New Hollywood's sex, drugs, and rock 'n' roll express ...
... star vehicles crafted by George Roy Hill and Sydney Pollack, Redford was not about to volunteer for the next Dennis Hopper flick, which is to say, he was not going to hop aboard the New Hollywood's sex, drugs, and rock 'n' roll express ...
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... star with his band of outlaws protecting the powerless farmers (read, indies) against the depredations of vandals and looters (read, the studios), so they could raise their crops (read, films) in peace. The Redford name attracted an ...
... star with his band of outlaws protecting the powerless farmers (read, indies) against the depredations of vandals and looters (read, the studios), so they could raise their crops (read, films) in peace. The Redford name attracted an ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York