Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 89
Página
—Phil Villarreal, Arizona Daily Star/Scripps Howard News Service “[Down and Dirty Pictures] is the second of two wild, racy, informal Biskind histories (the first was Easy Riders, Raging Bulls) which, taken together, will comprise, ...
—Phil Villarreal, Arizona Daily Star/Scripps Howard News Service “[Down and Dirty Pictures] is the second of two wild, racy, informal Biskind histories (the first was Easy Riders, Raging Bulls) which, taken together, will comprise, ...
Página
—EDWARD NORTON On a crisp November morning in 1979, Robert Redford, one of the 1970s brightest stars, inaugurated a ... In a preview of things to come, the kids who went to the movies that year also lined up to see the first Star Trek, ...
—EDWARD NORTON On a crisp November morning in 1979, Robert Redford, one of the 1970s brightest stars, inaugurated a ... In a preview of things to come, the kids who went to the movies that year also lined up to see the first Star Trek, ...
Página
When E.T. burned through the summer of 1982, finishing what Star Wars started, the studios went off on a trip of their own, fueled by cash, not drugs. In the perennial tug-of-war between art and commerce that is Hollywood, ...
When E.T. burned through the summer of 1982, finishing what Star Wars started, the studios went off on a trip of their own, fueled by cash, not drugs. In the perennial tug-of-war between art and commerce that is Hollywood, ...
Página
Too straight and conservative in his personal habits, and too much the prisoner of the star vehicles crafted by George Roy Hill and Sydney Pollack, Redford was not about to volunteer for the next Dennis Hopper flick, which is to say, ...
Too straight and conservative in his personal habits, and too much the prisoner of the star vehicles crafted by George Roy Hill and Sydney Pollack, Redford was not about to volunteer for the next Dennis Hopper flick, which is to say, ...
Página
Or better, the new enterprise suggested a movie like The Magnificent Seven, with Redford like Steve McQueen, the golden-haired Hollywood star with his band of outlaws protecting the powerless farmers (read, indies) against the ...
Or better, the new enterprise suggested a movie like The Magnificent Seven, with Redford like Steve McQueen, the golden-haired Hollywood star with his band of outlaws protecting the powerless farmers (read, indies) against the ...
Comentarios de la gente - Escribir un comentario
Las opiniones no están verificadas, pero Google revisa que no haya contenido falso y lo quita si lo identifica
LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York