Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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What I said seemed to excite him. His face lit up, and he bellowed, “That's a terrific idea, that could make millions. We'll do it, won't we, Bob? Why don't you just give up the book you're writing now and do this one.
What I said seemed to excite him. His face lit up, and he bellowed, “That's a terrific idea, that could make millions. We'll do it, won't we, Bob? Why don't you just give up the book you're writing now and do this one.
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It was only a decade since Easy Rider had exploded across the screens of America and kicked off the new Hollywood revolution of the 1970s, changing everything forever—or so it seemed. As that extraordinary era was drawing to a close, ...
It was only a decade since Easy Rider had exploded across the screens of America and kicked off the new Hollywood revolution of the 1970s, changing everything forever—or so it seemed. As that extraordinary era was drawing to a close, ...
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Bob, dressed in black, always seemed a little off, uncomfortable in his own skin, as if he were not in the right place, but in some world of his own. If Harvey was bigger than life, Bob was smaller, more intense, a reduction, ...
Bob, dressed in black, always seemed a little off, uncomfortable in his own skin, as if he were not in the right place, but in some world of his own. If Harvey was bigger than life, Bob was smaller, more intense, a reduction, ...
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... support by the National Endowments during the Jimmy Carter years. Suddenly, there seemed to be an indie movement that had people who care about film practically dancing in the streets. For the organizers of Sundance, the hope was that.
... support by the National Endowments during the Jimmy Carter years. Suddenly, there seemed to be an indie movement that had people who care about film practically dancing in the streets. For the organizers of Sundance, the hope was that.
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At the end of the decade, the heavens parted to let loose a black rain of dying companies, including some, like Cinecom and Vestron, that had seemed most healthy but had made the mistake of turning away from acquisitions to make their ...
At the end of the decade, the heavens parted to let loose a black rain of dying companies, including some, like Cinecom and Vestron, that had seemed most healthy but had made the mistake of turning away from acquisitions to make their ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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