Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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In Hollywood, it was widely known that to make a deal with Redford was to fall into development hell—script notes, rewrites, and more rewrites— often going nowhere. Used to being flattered, deferred to, and yessed, he mistrusted the ...
In Hollywood, it was widely known that to make a deal with Redford was to fall into development hell—script notes, rewrites, and more rewrites— often going nowhere. Used to being flattered, deferred to, and yessed, he mistrusted the ...
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“It was hard to get an independent script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected through an agent, they wouldn't read it.
“It was hard to get an independent script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected through an agent, they wouldn't read it.
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Hollywood favored spectacle, action, and special effects, while indies worked on a more intimate scale, privileging script and emphasizing character and mise-en-scène. Allison Anders (Gas Food Lodging) put it nicely when she described ...
Hollywood favored spectacle, action, and special effects, while indies worked on a more intimate scale, privileging script and emphasizing character and mise-en-scène. Allison Anders (Gas Food Lodging) put it nicely when she described ...
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“'Read the script?' “'Yeah.' “'Like it?' “'Yeah, I did, actually.' “'What the hell are you moaning about? You gotta hunk out to those kinda things.' Later, she told me, 'This guy wants me to do it, it's nine or ten weekends, ...
“'Read the script?' “'Yeah.' “'Like it?' “'Yeah, I did, actually.' “'What the hell are you moaning about? You gotta hunk out to those kinda things.' Later, she told me, 'This guy wants me to do it, it's nine or ten weekends, ...
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The two men nearly came to blows over a script called The Giant Joshua, which surfaced at the very first lab in 1981. ... Indies would come with promising scripts that they would proceed to rewrite, direct, tape, and edit with the help ...
The two men nearly came to blows over a script called The Giant Joshua, which surfaced at the very first lab in 1981. ... Indies would come with promising scripts that they would proceed to rewrite, direct, tape, and edit with the help ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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