Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... script notes, rewrites, and more rewrites— often going nowhere. Used to being flattered, deferred to, and yessed, he mistrusted the people around him. He valued loyalty, and gave it back— sometimes. He refused to delegate power to ...
... script notes, rewrites, and more rewrites— often going nowhere. Used to being flattered, deferred to, and yessed, he mistrusted the people around him. He valued loyalty, and gave it back— sometimes. He refused to delegate power to ...
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... script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected through an agent, they wouldn't read it. Independent films were truly on the outside.” The Secaucus 7 ...
... script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected through an agent, they wouldn't read it. Independent films were truly on the outside.” The Secaucus 7 ...
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... script?' “'Yeah.' “'Like it?' “'Yeah, I did, actually.' “'What the hell are you moaning about? You gotta hunk out to those kinda things.' Later, she told me, 'This guy wants me to do it, it's nine or ten weekends, at his parents' house ...
... script?' “'Yeah.' “'Like it?' “'Yeah, I did, actually.' “'What the hell are you moaning about? You gotta hunk out to those kinda things.' Later, she told me, 'This guy wants me to do it, it's nine or ten weekends, at his parents' house ...
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... script called The Giant Joshua, which surfaced at the very first lab in 1981. The filmmakers' labs, held once a year in June, were the heart of Sundance. The assumption governing the lab process was that indies have something to say but ...
... script called The Giant Joshua, which surfaced at the very first lab in 1981. The filmmakers' labs, held once a year in June, were the heart of Sundance. The assumption governing the lab process was that indies have something to say but ...
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... script. She recalls, Redford “was irritated when we bought the option. His attitude was, 'The script is worthless; let us take it off your hands.' We were supposed to be happy that he was interested and walk away. It made us feel small ...
... script. She recalls, Redford “was irritated when we bought the option. His attitude was, 'The script is worthless; let us take it off your hands.' We were supposed to be happy that he was interested and walk away. It made us feel small ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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