Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 77
Página 10
... script notes , rewrites , and more rewrites - often going nowhere . Used to being flattered , deferred to , and yessed , he mistrusted the people around him . He valued loyalty , and gave it back - sometimes . He refused to delegate ...
... script notes , rewrites , and more rewrites - often going nowhere . Used to being flattered , deferred to , and yessed , he mistrusted the people around him . He valued loyalty , and gave it back - sometimes . He refused to delegate ...
Página 16
... script to an actor , and you didn't bother going to a studio unless your script was commercial . And even then if you weren't connected through an agent , they wouldn't read it . Independent films were truly on the outside . " The ...
... script to an actor , and you didn't bother going to a studio unless your script was commercial . And even then if you weren't connected through an agent , they wouldn't read it . Independent films were truly on the outside . " The ...
Página 22
... script ? ' " Yeah . ' " ' Like it ? ' " " Yeah , I did , actually . ' " What the hell are you moaning about ? You gotta hunk out to those kinda things . ' Later , she told me , " This guy wants me to do it , it's nine or ten weekends ...
... script ? ' " Yeah . ' " ' Like it ? ' " " Yeah , I did , actually . ' " What the hell are you moaning about ? You gotta hunk out to those kinda things . ' Later , she told me , " This guy wants me to do it , it's nine or ten weekends ...
Página 30
... script . " It read like a first draft , " she says , " long speeches , tons of mono- logues . " But then Soderbergh called her , convinced her to meet him . She remembers him as an Elvis Costello look - alike , wearing shirts buttoned ...
... script . " It read like a first draft , " she says , " long speeches , tons of mono- logues . " But then Soderbergh called her , convinced her to meet him . She remembers him as an Elvis Costello look - alike , wearing shirts buttoned ...
Página 34
... script called The Giant Joshua , which surfaced at the very first lab in 1981. The filmmakers ' labs , held once a ... scripts that they would proceed to rewrite , di- rect , tape , and edit with the help of topflight Hollywood ...
... script called The Giant Joshua , which surfaced at the very first lab in 1981. The filmmakers ' labs , held once a ... scripts that they would proceed to rewrite , di- rect , tape , and edit with the help of topflight Hollywood ...
Contenido
1 | |
27 | |
59 | |
Risky Business | 91 |
The Buying Game | 123 |
Hes Gotta Have | 155 |
The House That Quentin Built | 185 |
Pumping Up the Volume | 216 |
Crossover Dreams | 308 |
The Bad Lieutenant | 341 |
The King of New York | 374 |
All That Jazz Is Gone | 405 |
Gods and Monsters | 437 |
The Sweet Hereafter | 470 |
Cast of Characters | 485 |
Index | 525 |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
actors Affleck Amir asked audience Bob Weinstein Bowles brothers budget called Cannes cinema Confidential source Crying Game Damon deal Deutchman director Disney distributors Elwes English Patient executive felt Film Festival filmmakers friends fuckin fucking going gonna gotta Greenstein grossed Harvey and Bob Harvey Weinstein Harvey's Haynes Hollywood indie films Jeff Jeff Lipsky Kate & Leopold Katzenberg Kevin Smith Kids knew Konrad Lechner Lipsky look Malin Mangold marketing McGurk Michael million Mira Miramax Miramax Films movie never Newmyer October Okay Oscar picture play producer Pulp Fiction Quentin Tarantino recalls Redford release Reservoir Dogs Safford says Schmidt Scorsese Scott Scream screening script Shakespeare in Love shit Sling Blade Soderbergh Solondz star Steven Soderbergh story studio Sundance talk tell theater There's thing Thornton thought told turned Tusk Vachon walked York