Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... producer Jane Hamsher's Killer Instinct or William Goldman's Adventures in the Screen Trade, Peter Biskind's Down and Dirty Pictures offers an insider's take on the movie business. Biskind's description of the deals, the steals, the ...
... producer Jane Hamsher's Killer Instinct or William Goldman's Adventures in the Screen Trade, Peter Biskind's Down and Dirty Pictures offers an insider's take on the movie business. Biskind's description of the deals, the steals, the ...
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... producer of Northern Lights, helped found the Independent Feature Project, the first institutional brick in the indie infrastructure. IFP conducted a series of seminars about working outside the system—how to raise money, how to produce ...
... producer of Northern Lights, helped found the Independent Feature Project, the first institutional brick in the indie infrastructure. IFP conducted a series of seminars about working outside the system—how to raise money, how to produce ...
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... producer Sydney Pollack puts it, “Independent usually meant anything that was an alternative to recipe films or mainstream films made by studios.” They were anything Hollywood was not. If Hollywood made “movies,” indies made “films.” If ...
... producer Sydney Pollack puts it, “Independent usually meant anything that was an alternative to recipe films or mainstream films made by studios.” They were anything Hollywood was not. If Hollywood made “movies,” indies made “films.” If ...
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... producer Ted Hope. “All of a sudden the Coen brothers get up on stage, and I recognized them from my local supermarket. . . . I was like, 'Oh my God, it's those stoners from the neighborhood!' And like two days later, after seeing ...
... producer Ted Hope. “All of a sudden the Coen brothers get up on stage, and I recognized them from my local supermarket. . . . I was like, 'Oh my God, it's those stoners from the neighborhood!' And like two days later, after seeing ...
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... producer Annick Smith, felt betrayed. Smith was part of the Sundance “family.” Her film Heartland was a model for the kinds of films Sundance hoped to develop and possibly produce. She attended every lab in the early years, either with ...
... producer Annick Smith, felt betrayed. Smith was part of the Sundance “family.” Her film Heartland was a model for the kinds of films Sundance hoped to develop and possibly produce. She attended every lab in the early years, either with ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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