Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
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... playing Caliban to Harvey's Prospero, while I sank into a bottomless black leather couch so low it had me staring ... play me. What I said seemed to excite him. His face lit up, and he bellowed, “That's a terrific idea, that could ...
... playing Caliban to Harvey's Prospero, while I sank into a bottomless black leather couch so low it had me staring ... play me. What I said seemed to excite him. His face lit up, and he bellowed, “That's a terrific idea, that could ...
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... play by the rules of the big boys.” Looking backward, it's obvious that the 1980s was the great primordial swamp out of which the indies crawled, flopped onto land, and slithered off into the jungle. As Sayles puts it, “It's like ...
... play by the rules of the big boys.” Looking backward, it's obvious that the 1980s was the great primordial swamp out of which the indies crawled, flopped onto land, and slithered off into the jungle. As Sayles puts it, “It's like ...
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... playing character roles in indie films. Like the 1970s, the 1990s was pregnant with change. “I remember the New York Film Festival where Blood Simple and Stranger Than Paradise premiered,” said producer Ted Hope. “All of a sudden the ...
... playing character roles in indie films. Like the 1970s, the 1990s was pregnant with change. “I remember the New York Film Festival where Blood Simple and Stranger Than Paradise premiered,” said producer Ted Hope. “All of a sudden the ...
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... played the festival got distributed; even fewer scripts that went through the labs got produced, and when by some ... Play it safe.'” Soderbergh's film, which had cost $1.2 million, a hefty budget for an indie feature in those days ...
... played the festival got distributed; even fewer scripts that went through the labs got produced, and when by some ... Play it safe.'” Soderbergh's film, which had cost $1.2 million, a hefty budget for an indie feature in those days ...
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... play called Beirut where she is naked on the stage most of the time.” But Estes was watching the dailies, and hadn't seen what he was looking for. He called Soderbergh, asked him, “Are you sure I've gotten all the footage? Because I'm ...
... play called Beirut where she is naked on the stage most of the time.” But Estes was watching the dailies, and hadn't seen what he was looking for. He called Soderbergh, asked him, “Are you sure I've gotten all the footage? Because I'm ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York