Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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Around the same time that Redford's eagle had taken wing and the Weinsteins had come to ground in New York, three modest indie features opened quietly to respectful reviews and decent business. None had the seismic impact of Dennis ...
Around the same time that Redford's eagle had taken wing and the Weinsteins had come to ground in New York, three modest indie features opened quietly to respectful reviews and decent business. None had the seismic impact of Dennis ...
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... and then the doors opened to that new spring.” The indies of the 1990s were a diverse lot, ranging from Haynes, with his astringent exercises in theoretically inflected gay cinema on the one hand to Smith, with his twenty-something ...
... and then the doors opened to that new spring.” The indies of the 1990s were a diverse lot, ranging from Haynes, with his astringent exercises in theoretically inflected gay cinema on the one hand to Smith, with his twenty-something ...
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A chasm opened up between Sundance's high-flying executives, who breathed the rarefied air of wealth and celebrity, and its young, poorly paid, idealistic staff, which felt under-appreciated. “I worked there for a year and one half ...
A chasm opened up between Sundance's high-flying executives, who breathed the rarefied air of wealth and celebrity, and its young, poorly paid, idealistic staff, which felt under-appreciated. “I worked there for a year and one half ...
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Thinking he was being smart, Lewis had held on to the TV and video rights, imagining he could sell them for more money after the film opened. Harvey wanted them desperately, and he wouldn't give up. He was like a hair in the back of ...
Thinking he was being smart, Lewis had held on to the TV and video rights, imagining he could sell them for more money after the film opened. Harvey wanted them desperately, and he wouldn't give up. He was like a hair in the back of ...
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... Borden's producers demanded an audit and found charges for a ski rental during the Sundance Film Festival, and a $1,000 bill from the Mark Hopkins Hotel in San Francisco two months after the film had opened there.
... Borden's producers demanded an audit and found charges for a ski rental during the Sundance Film Festival, and a $1,000 bill from the Mark Hopkins Hotel in San Francisco two months after the film had opened there.
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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