Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
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... marketing maven Arthur Manson, a distinguished-looking man with a mane of white hair who is beloved in the industry, or Irwin Reiter, a CPA and fifteen-year veteran of the company, whose shy smile and open face make him instantly ...
... marketing maven Arthur Manson, a distinguished-looking man with a mane of white hair who is beloved in the industry, or Irwin Reiter, a CPA and fifteen-year veteran of the company, whose shy smile and open face make him instantly ...
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... marketing, and distribution, and so you end up having to play by the rules of the big boys.” Looking backward, it's obvious that the 1980s was the great primordial swamp out of which the indies crawled, flopped onto land, and slithered ...
... marketing, and distribution, and so you end up having to play by the rules of the big boys.” Looking backward, it's obvious that the 1980s was the great primordial swamp out of which the indies crawled, flopped onto land, and slithered ...
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... marketing was as distinct from studio marketing as indie films were from studio movies. Where studios spent freely on advertising, indies relied on publicity, which was free. Whereas studios practiced saturation booking and launched ...
... marketing was as distinct from studio marketing as indie films were from studio movies. Where studios spent freely on advertising, indies relied on publicity, which was free. Whereas studios practiced saturation booking and launched ...
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... marketing, distribution, and exhibition, it was virtually relegating itself to irrelevance. “There was a real fear that Sundance would be perceived as this utopian thing in the mountains, without making any impact on independent ...
... marketing, distribution, and exhibition, it was virtually relegating itself to irrelevance. “There was a real fear that Sundance would be perceived as this utopian thing in the mountains, without making any impact on independent ...
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... marketing movies. He saw a niche: he would help them find a distributor, then consult on the marketing. With that in mind, he went up to Newmyer and offered to work on sex, lies. Newmyer replied, “Great idea, really interesting ...
... marketing movies. He saw a niche: he would help them find a distributor, then consult on the marketing. With that in mind, he went up to Newmyer and offered to work on sex, lies. Newmyer replied, “Great idea, really interesting ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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