Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... Hollywood Reporter “[Biskind] has written a nuanced and thoroughly researched history of the independent-film movement that came of age in the 1990s. ... Down and Dirty Pictures is a smart, funny, and depressing insider's look.
... Hollywood Reporter “[Biskind] has written a nuanced and thoroughly researched history of the independent-film movement that came of age in the 1990s. ... Down and Dirty Pictures is a smart, funny, and depressing insider's look.
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... look—and indictment—at a decade in which independent film went from the respectable fringes to the blah mainstream. It's an immeasurably enjoyable, hard-to-put-down book. Biskind may be the best writer on the movies that we have; he has ...
... look—and indictment—at a decade in which independent film went from the respectable fringes to the blah mainstream. It's an immeasurably enjoyable, hard-to-put-down book. Biskind may be the best writer on the movies that we have; he has ...
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... look up long enough to shoot furtive glances full of mute appeal like messages stuffed in bottles thrown into the sea. The place reminded me of those old movies, like The Desperate Hours, where a psycho holds a family hostage, and when ...
... look up long enough to shoot furtive glances full of mute appeal like messages stuffed in bottles thrown into the sea. The place reminded me of those old movies, like The Desperate Hours, where a psycho holds a family hostage, and when ...
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... look at an imaginary chest, “'So Harvey, what did you have for lunch today? Let's see, pea soup, pizza, salad ... looks down at him and says, 'Because I'm a scorpion, it's my nature.' It's the same with Harvey. It's his nature.” Harvey ...
... look at an imaginary chest, “'So Harvey, what did you have for lunch today? Let's see, pea soup, pizza, salad ... looks down at him and says, 'Because I'm a scorpion, it's my nature.' It's the same with Harvey. It's his nature.” Harvey ...
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... Look at me” written all over them, and some of the most prominent filmmakers have even rejected the auteur label. “I certainly didn't feel like I was going to grow up to be Steven Spielberg, but nor did I think I was going to grow up to ...
... Look at me” written all over them, and some of the most prominent filmmakers have even rejected the auteur label. “I certainly didn't feel like I was going to grow up to be Steven Spielberg, but nor did I think I was going to grow up to ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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