Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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But unfortunately, we don't live in a perfect world. Each year Miramax releases as many films as a couple of studios combined. By virtue of the volume of its output, it is by far the largest employer of above-the-line talent and ...
But unfortunately, we don't live in a perfect world. Each year Miramax releases as many films as a couple of studios combined. By virtue of the volume of its output, it is by far the largest employer of above-the-line talent and ...
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Hollywood abandoned the experimentation of the previous decade, losing interest in how-we-live-now small films about real people—The Last Picture Show, Carnal Knowledge, Five Easy Pieces—in favor of megabuck fantasies.
Hollywood abandoned the experimentation of the previous decade, losing interest in how-we-live-now small films about real people—The Last Picture Show, Carnal Knowledge, Five Easy Pieces—in favor of megabuck fantasies.
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Companies like Vestron, RCA/Columbia Home Video, and Live Entertainment began funneling cash directly into the production pipeline. Meanwhile, with Deutchman in charge of acquisitions, Cinecom released a string of hits, ...
Companies like Vestron, RCA/Columbia Home Video, and Live Entertainment began funneling cash directly into the production pipeline. Meanwhile, with Deutchman in charge of acquisitions, Cinecom released a string of hits, ...
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Lewis promptly called Saturday Night Live, which, though a bit long in the tooth, was still flush with the success of its early years, and asked them to run the spot. They did, on Weekend Update. Recalls Lewis, “We had a huge story!
Lewis promptly called Saturday Night Live, which, though a bit long in the tooth, was still flush with the success of its early years, and asked them to run the spot. They did, on Weekend Update. Recalls Lewis, “We had a huge story!
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As publicist Christina Kounelias puts it, “They were trying to unghettoize art house films, get them out of the teeny theaters at the edge of town where the beatniks live, and make them accessible to a broader, more mainstream audience.
As publicist Christina Kounelias puts it, “They were trying to unghettoize art house films, get them out of the teeny theaters at the edge of town where the beatniks live, and make them accessible to a broader, more mainstream audience.
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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