Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... lies in its description of Miramax's Harvey Weinstein, a food-addicted beast, rampaging across the film world. . . . All good dirty fun.” —Jay Rayner, The Guardian (London and Manchester) “In the tradition of producer Jane Hamsher's ...
... lies in its description of Miramax's Harvey Weinstein, a food-addicted beast, rampaging across the film world. . . . All good dirty fun.” —Jay Rayner, The Guardian (London and Manchester) “In the tradition of producer Jane Hamsher's ...
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... lies, fear, and lack of historical perspective. The disconnect between appearance, as it is presented in the media, and the reality of what actually occurs behind the scenes is as great in Hollywood as it is in Washington, if not ...
... lies, fear, and lack of historical perspective. The disconnect between appearance, as it is presented in the media, and the reality of what actually occurs behind the scenes is as great in Hollywood as it is in Washington, if not ...
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... lies, and videotape; Hal Hartley with The Unbelievable Truth; Rick Linklater with Slacker; Todd Haynes with Poison; Gregg Araki with The Living End; Quentin Tarantino with Reservoir Dogs; David O. Russell with Spanking the Monkey; Ang ...
... lies, and videotape; Hal Hartley with The Unbelievable Truth; Rick Linklater with Slacker; Todd Haynes with Poison; Gregg Araki with The Living End; Quentin Tarantino with Reservoir Dogs; David O. Russell with Spanking the Monkey; Ang ...
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... lies, and videotape year at the Sundance Film Festival—as the big bang of the modern indie film movement. Sex, lies not only marked the arrival of Soderbergh, one of the brightest stars in this new galaxy of filmmakers, but it also ...
... lies, and videotape year at the Sundance Film Festival—as the big bang of the modern indie film movement. Sex, lies not only marked the arrival of Soderbergh, one of the brightest stars in this new galaxy of filmmakers, but it also ...
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... lies, and videotape saved the festival he never wanted and launched Miramax on the road to world conquest. “In the '80s, the studios could predict what worked and what didn't. And that's what the '80s were—one movie you'd already seen ...
... lies, and videotape saved the festival he never wanted and launched Miramax on the road to world conquest. “In the '80s, the studios could predict what worked and what didn't. And that's what the '80s were—one movie you'd already seen ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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