Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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He knew that indie filmmaking was generally a trust-fund enterprise, because outside of a few federal grants and cash from the proverbial family friends, orthodontists, eye doctors, and so on, there was precious little money available ...
He knew that indie filmmaking was generally a trust-fund enterprise, because outside of a few federal grants and cash from the proverbial family friends, orthodontists, eye doctors, and so on, there was precious little money available ...
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As he has said repeatedly, “I knew what it was like to distribute a film that you produced. In 1969, I carried Downhill Racer under my arm, fighting the battles that most people face.” He came to understand, as he puts it, ...
As he has said repeatedly, “I knew what it was like to distribute a film that you produced. In 1969, I carried Downhill Racer under my arm, fighting the battles that most people face.” He came to understand, as he puts it, ...
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He knew that the sweat, the food stains, the slovenly dress, the inner demons writ large on his battered face could be made to send a message, one that went, to quote Popeye, “Iyam what Iyam.” And in the world of appearances—of Armani ...
He knew that the sweat, the food stains, the slovenly dress, the inner demons writ large on his battered face could be made to send a message, one that went, to quote Popeye, “Iyam what Iyam.” And in the world of appearances—of Armani ...
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The folks at Amnesty, which was nearly bankrupt, knew precious little about the movie business, did not have high expectations for the film, and did not expect an advance—a situation ready-made for the Weinsteins.
The folks at Amnesty, which was nearly bankrupt, knew precious little about the movie business, did not have high expectations for the film, and did not expect an advance—a situation ready-made for the Weinsteins.
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Harvey knew that García Márquez, an outspoken left-wing critic of the United States, had been denied an entry visa by the American government, and he used it to his advantage, creating a stink about the fact that the State Department ...
Harvey knew that García Márquez, an outspoken left-wing critic of the United States, had been denied an entry visa by the American government, and he used it to his advantage, creating a stink about the fact that the State Department ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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