Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 83
Página
... kind of salt-of-the-earth regionalism these films celebrated would degenerate into mindless boosterism for barnyards and square dancing, Garrison Keillor-style, but in the beginning they stood out like lonely sentries against the ...
... kind of salt-of-the-earth regionalism these films celebrated would degenerate into mindless boosterism for barnyards and square dancing, Garrison Keillor-style, but in the beginning they stood out like lonely sentries against the ...
Página
... kind of watered-down populism that was still hanging around from the 1960s, the kind that animated, if that's the right word, Northern Lights and Heartland. The politically correct, regional Americana ran thinly through the veins of the ...
... kind of watered-down populism that was still hanging around from the 1960s, the kind that animated, if that's the right word, Northern Lights and Heartland. The politically correct, regional Americana ran thinly through the veins of the ...
Página
... kind of person— he could give good Sundance.” At the outset, Van Wagenen was little more than an administrator, deferential to the board—a mix of indie filmmakers, Hollywood figures, and foundation executives. But he was a quick study ...
... kind of person— he could give good Sundance.” At the outset, Van Wagenen was little more than an administrator, deferential to the board—a mix of indie filmmakers, Hollywood figures, and foundation executives. But he was a quick study ...
Página
... kind of guy, and he discounted the favorable response as one from a “festival” audience, that is, one predisposed to be generous. He was worried that the good word of mouth his film was generating would backfire, raise the expectations ...
... kind of guy, and he discounted the favorable response as one from a “festival” audience, that is, one predisposed to be generous. He was worried that the good word of mouth his film was generating would backfire, raise the expectations ...
Página
... kind of Freudian Rosetta Stone for parsing the puzzle of the brothers' perplexing emotional development. Neither of them had ever directed, so they shot a twenty-minute promo reel, which they took to Cannes in an effort to raise money ...
... kind of Freudian Rosetta Stone for parsing the puzzle of the brothers' perplexing emotional development. Neither of them had ever directed, so they shot a twenty-minute promo reel, which they took to Cannes in an effort to raise money ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York