Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 60
Página 5
... kind of polished wood with a high red gloss . Although it has taken a long time , he has finally found his look : a black golf shirt open at the neck - revealing the tra- cheotomy scar from his Christmas 1999 illness - and dark pants ...
... kind of polished wood with a high red gloss . Although it has taken a long time , he has finally found his look : a black golf shirt open at the neck - revealing the tra- cheotomy scar from his Christmas 1999 illness - and dark pants ...
Página 29
... kind of watered - down populism that was still hanging around from the 1960s , the kind that animated , if that's the right word , Northern Lights and Heartland . The politically correct , regional Americana ran thinly through the veins ...
... kind of watered - down populism that was still hanging around from the 1960s , the kind that animated , if that's the right word , Northern Lights and Heartland . The politically correct , regional Americana ran thinly through the veins ...
Página 40
... kind of guy , and he discounted the fa- vorable response as one from a " festival " audience , that is , one predisposed to be generous . He was worried that the good word of mouth his film was generating would backfire , raise the ...
... kind of guy , and he discounted the fa- vorable response as one from a " festival " audience , that is , one predisposed to be generous . He was worried that the good word of mouth his film was generating would backfire , raise the ...
Página 41
... kind of guilt that was obviously a stranger to the freewheeling Oliver Norths of the decade about to be past . A premature slacker , aimless , and lacking money , career , or ambition , Spader's character , Graham , can fit the entirety ...
... kind of guilt that was obviously a stranger to the freewheeling Oliver Norths of the decade about to be past . A premature slacker , aimless , and lacking money , career , or ambition , Spader's character , Graham , can fit the entirety ...
Página 48
... kind of Freudian Rosetta Stone for parsing the puzzle of the brothers ' per- plexing emotional development . Neither of them had ever directed , so they shot a twenty - minute promo reel , which they took to Cannes in an effort to raise ...
... kind of Freudian Rosetta Stone for parsing the puzzle of the brothers ' per- plexing emotional development . Neither of them had ever directed , so they shot a twenty - minute promo reel , which they took to Cannes in an effort to raise ...
Contenido
1 | |
27 | |
59 | |
Risky Business | 91 |
The Buying Game | 123 |
Hes Gotta Have | 155 |
The House That Quentin Built | 185 |
Pumping Up the Volume | 216 |
Crossover Dreams | 308 |
The Bad Lieutenant | 341 |
The King of New York | 374 |
All That Jazz Is Gone | 405 |
Gods and Monsters | 437 |
The Sweet Hereafter | 470 |
Cast of Characters | 485 |
Index | 525 |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
actors Affleck Amir asked audience Bob Weinstein Bowles brothers budget called Cannes cinema Confidential source Crying Game Damon deal Deutchman director Disney distributors Elwes English Patient executive felt Film Festival filmmakers friends fuckin fucking going gonna gotta Greenstein grossed Harvey and Bob Harvey Weinstein Harvey's Haynes Hollywood indie films Jeff Jeff Lipsky Kate & Leopold Katzenberg Kevin Smith Kids knew Konrad Lechner Lipsky look Malin Mangold marketing McGurk Michael million Mira Miramax Miramax Films movie never Newmyer October Okay Oscar picture play producer Pulp Fiction Quentin Tarantino recalls Redford release Reservoir Dogs Safford says Schmidt Scorsese Scott Scream screening script Shakespeare in Love shit Sling Blade Soderbergh Solondz star Steven Soderbergh story studio Sundance talk tell theater There's thing Thornton thought told turned Tusk Vachon walked York