Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... gonna be, or as bad as it's gonna be, but it's theirs.” Although there is more than a little truth to this conventional notion, it's important to remember that it's not the whole truth. Life in the indie world can be nasty, brutish ...
... gonna be, or as bad as it's gonna be, but it's theirs.” Although there is more than a little truth to this conventional notion, it's important to remember that it's not the whole truth. Life in the indie world can be nasty, brutish ...
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... gonna get in, are we gonna get in, are we gonna get in, like every American independent filmmaker, sweating and growing bald, thinking about it.” If you're turned down, it's back to the convenience store or social work school. Moreover ...
... gonna get in, are we gonna get in, are we gonna get in, like every American independent filmmaker, sweating and growing bald, thinking about it.” If you're turned down, it's back to the convenience store or social work school. Moreover ...
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... gonna sting me, you're gonna kill me.' The scorpion says, 'I would never do that, please, I'm asking you for a favor, I can't swim, I need your help to get me to the other side of the river.' The frog finally agrees, takes him across on ...
... gonna sting me, you're gonna kill me.' The scorpion says, 'I would never do that, please, I'm asking you for a favor, I can't swim, I need your help to get me to the other side of the river.' The frog finally agrees, takes him across on ...
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... gonna make money on it, Harve?” If Harvey wore his heart on his sleeve, Bob was opaque, subject to extreme mood swings. “You can't really tell what's going on in Bob's mind,” says Mark Tusk, who would become one of the most effective of ...
... gonna make money on it, Harve?” If Harvey wore his heart on his sleeve, Bob was opaque, subject to extreme mood swings. “You can't really tell what's going on in Bob's mind,” says Mark Tusk, who would become one of the most effective of ...
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... gonna deliver.” Lewis, however, made one mistake. He happened to mention to Harvey that he was working on a sequel. Harvey exclaimed, “Great, fantastic!” and then every week the call would come: “How's the sequel going?” “Well, we're gonna ...
... gonna deliver.” Lewis, however, made one mistake. He happened to mention to Harvey that he was working on a sequel. Harvey exclaimed, “Great, fantastic!” and then every week the call would come: “How's the sequel going?” “Well, we're gonna ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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