Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... going to see The 400 Blows when he was fourteen, which he believed, for reasons best known to himself, to be a sex film, but during the course of the hour and a half he spent in the theater, he was transported by the magic of François ...
... going to see The 400 Blows when he was fourteen, which he believed, for reasons best known to himself, to be a sex film, but during the course of the hour and a half he spent in the theater, he was transported by the magic of François ...
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... going to grow up to be Steven Spielberg, but nor did I think I was going to grow up to become Martin Scorsese,” says Soderbergh. “I'm not one of those visionary types. I'm sort of in the middle. I want John Huston's career. I want to ...
... going to grow up to be Steven Spielberg, but nor did I think I was going to grow up to become Martin Scorsese,” says Soderbergh. “I'm not one of those visionary types. I'm sort of in the middle. I want John Huston's career. I want to ...
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... going to make money, it wasn't going to exist, and most of the distribution companies were run by marketing people, like Deutchman at Cinecom and later Fine Line; Barker and Bernard at UA, Orion, and finally Sony Classics; and Bingham ...
... going to make money, it wasn't going to exist, and most of the distribution companies were run by marketing people, like Deutchman at Cinecom and later Fine Line; Barker and Bernard at UA, Orion, and finally Sony Classics; and Bingham ...
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... going to generate more publicity and heat for the home video and TV. Was Amnesty unhappy? Our expectations on this ... going to sell me the rights—” “I'm not going to sell you the rights. I want to wait till the movie opens.” “But ...
... going to generate more publicity and heat for the home video and TV. Was Amnesty unhappy? Our expectations on this ... going to sell me the rights—” “I'm not going to sell you the rights. I want to wait till the movie opens.” “But ...
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... going, and two weeks into the production he gave Hakim an ultimatum: “If things don't change around here, that's that.” “You walk off, I'm going to close the movie down.” “How can you? You've shot two weeks of footage, you'll lose ...
... going, and two weeks into the production he gave Hakim an ultimatum: “If things don't change around here, that's that.” “You walk off, I'm going to close the movie down.” “How can you? You've shot two weeks of footage, you'll lose ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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