Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 82
Página
... give good Sundance.” At the outset, Van Wagenen was little more than an administrator, deferential to the board—a mix of indie filmmakers, Hollywood figures, and foundation executives. But he was a quick study. According to one source ...
... give good Sundance.” At the outset, Van Wagenen was little more than an administrator, deferential to the board—a mix of indie filmmakers, Hollywood figures, and foundation executives. But he was a quick study. According to one source ...
Página
... give you the money, because you cared enough to come see me,'” recalls Redford. “Then he said, 'There's a few ladies out in the pool. Why don't you go jump in?' What's really bad is I did. But in those days we needed all the help we ...
... give you the money, because you cared enough to come see me,'” recalls Redford. “Then he said, 'There's a few ladies out in the pool. Why don't you go jump in?' What's really bad is I did. But in those days we needed all the help we ...
Página
... give you the sequel, but let's see how you do with this one.” “Martin, we need to make a few edits.” “You need to edit?” “Well, some of this stuff is not gonna play well with an American audience. You gotta trust me on this. We're gonna ...
... give you the sequel, but let's see how you do with this one.” “Martin, we need to make a few edits.” “You need to edit?” “Well, some of this stuff is not gonna play well with an American audience. You gotta trust me on this. We're gonna ...
Página
... give up. He was like a hair in the back of your throat that swallowing won't get rid of. He bellowed, “You're going to sell me the rights—” “I'm not going to sell you the rights. I want to wait till the movie opens.” “But they belong to ...
... give up. He was like a hair in the back of your throat that swallowing won't get rid of. He bellowed, “You're going to sell me the rights—” “I'm not going to sell you the rights. I want to wait till the movie opens.” “But they belong to ...
Página
... “retouched Ohana's chest to give her cleavage! I thought, This is different. They just had an unabashed willingness to sell that I had not seen within the specialty markets.” Eréndira became a modest hit. But more important, with the.
... “retouched Ohana's chest to give her cleavage! I thought, This is different. They just had an unabashed willingness to sell that I had not seen within the specialty markets.” Eréndira became a modest hit. But more important, with the.
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York