Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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I got involved with a number of other women simultaneously—I was just fucking up. Looking back on what happened, I was very intent on getting acceptance and approval from whatever woman I happened to pick out, and then as soon as I got ...
I got involved with a number of other women simultaneously—I was just fucking up. Looking back on what happened, I was very intent on getting acceptance and approval from whatever woman I happened to pick out, and then as soon as I got ...
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Still the boys still weren't satisfied with that. They wanted to get the older crowd, so they got Peter Frampton. They wanted to get the African-American crowd, so they went to Sister Sledge. They covered every fucking demographic known ...
Still the boys still weren't satisfied with that. They wanted to get the older crowd, so they got Peter Frampton. They wanted to get the African-American crowd, so they went to Sister Sledge. They covered every fucking demographic known ...
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The long haired crowed jeered, screaming, “Fuck this movie, fuck... subtitles. ... Harvey said, 'Nobody fucking knows who Profumo is, nobody knows who Christine Keeler is, you're dealing with Americans! You've gotta tell them upfront.
The long haired crowed jeered, screaming, “Fuck this movie, fuck... subtitles. ... Harvey said, 'Nobody fucking knows who Profumo is, nobody knows who Christine Keeler is, you're dealing with Americans! You've gotta tell them upfront.
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“I thought, These guys are out of their fucking minds. People went, 'Jesus Christ! What am I missing here? What's the catch?' I guess the catch was they saw a way to do it.” Says Mark Lipsky, “They probably did overpay, but they had to ...
“I thought, These guys are out of their fucking minds. People went, 'Jesus Christ! What am I missing here? What's the catch?' I guess the catch was they saw a way to do it.” Says Mark Lipsky, “They probably did overpay, but they had to ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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