Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
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... friends close and your enemies closer”—decided to sit for a series of interviews, for which I am grateful. Ditto the small army of former staffers who have passed through the Miramax doors. Since I was not in a position to promise them ...
... friends close and your enemies closer”—decided to sit for a series of interviews, for which I am grateful. Ditto the small army of former staffers who have passed through the Miramax doors. Since I was not in a position to promise them ...
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... friends, orthodontists, eye doctors, and so on, there was precious little money available to produce them. Raising money, not to mention writing, casting, shooting, and editing, was brutal, teeth-grinding work that could take years, and ...
... friends, orthodontists, eye doctors, and so on, there was precious little money available to produce them. Raising money, not to mention writing, casting, shooting, and editing, was brutal, teeth-grinding work that could take years, and ...
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... friend, Connie Britton, who lived across the street from me. I ran into her, asked, 'What are you up to?' “ 'I'm supposed to be going to this audition for some little independent this kid is making. It's out in Brooklyn, and I really ...
... friend, Connie Britton, who lived across the street from me. I ran into her, asked, 'What are you up to?' “ 'I'm supposed to be going to this audition for some little independent this kid is making. It's out in Brooklyn, and I really ...
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... friends. Like John Cassavetes's Shadows in 1959, it was one of those “I can do that” films that inspired a decade of filmmakers, convincing them that they, too, could make movies. But under the pressure of the frantic quest for the Next ...
... friends. Like John Cassavetes's Shadows in 1959, it was one of those “I can do that” films that inspired a decade of filmmakers, convincing them that they, too, could make movies. But under the pressure of the frantic quest for the Next ...
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... friend and one of sex, lies's producers, asked her to take a look. The film was still in rough shape and boasted of no actors of any renown. Not expecting much, Skouras popped the tape into her VCR at 11:30 one night before she went to ...
... friend and one of sex, lies's producers, asked her to take a look. The film was still in rough shape and boasted of no actors of any renown. Not expecting much, Skouras popped the tape into her VCR at 11:30 one night before she went to ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York