Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
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... filmmakers maxing out their credit cards to pay their actors and crews, who work long hours for little or no compensation because they believe in what they're doing. As Quentin Tarantino puts it, “Independent filmmakers don't make money ...
... filmmakers maxing out their credit cards to pay their actors and crews, who work long hours for little or no compensation because they believe in what they're doing. As Quentin Tarantino puts it, “Independent filmmakers don't make money ...
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... becomes a casualty of the calendar, old news, swept aside by the next big release. Miramax, and to a lesser extent Sundance, dominate this story, as they do the indie world. Many filmmakers (in mid-career) and staffers.
... becomes a casualty of the calendar, old news, swept aside by the next big release. Miramax, and to a lesser extent Sundance, dominate this story, as they do the indie world. Many filmmakers (in mid-career) and staffers.
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... Filmmakers arrange their shooting schedules so that their films will be out of the lab in time to be seen by ... filmmaker, sweating and growing bald, thinking about it.” If you're turned down, it's back to the convenience store or ...
... Filmmakers arrange their shooting schedules so that their films will be out of the lab in time to be seen by ... filmmaker, sweating and growing bald, thinking about it.” If you're turned down, it's back to the convenience store or ...
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... filmmakers to figure it out for them. The exact same thing happened across the '90s, and when this generation came ofage, it put out very original, distinctive, mature work. They revitalized American films after a decade of it being ...
... filmmakers to figure it out for them. The exact same thing happened across the '90s, and when this generation came ofage, it put out very original, distinctive, mature work. They revitalized American films after a decade of it being ...
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... filmmakers were being increasingly shut out of the system. He also recognized that if a would-be filmmaker were brown, black, red, or female—forget it; his or her chances of getting a project produced were virtually nil. He knew that ...
... filmmakers were being increasingly shut out of the system. He also recognized that if a would-be filmmaker were brown, black, red, or female—forget it; his or her chances of getting a project produced were virtually nil. He knew that ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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