Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... feeling of community they imagined the movie brats shared, the sense that they were destiny's children. Says Anders, “It's so exciting when you're starting to make films and you first learn about Scorsese and his peers, when they all ...
... feeling of community they imagined the movie brats shared, the sense that they were destiny's children. Says Anders, “It's so exciting when you're starting to make films and you first learn about Scorsese and his peers, when they all ...
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... feel like I was going to grow up to be Steven Spielberg, but nor did I think I was going to grow up to become Martin Scorsese,” says Soderbergh. “I'm not one of those visionary types. I'm sort of in the middle. I want John Huston's ...
... feel like I was going to grow up to be Steven Spielberg, but nor did I think I was going to grow up to become Martin Scorsese,” says Soderbergh. “I'm not one of those visionary types. I'm sort of in the middle. I want John Huston's ...
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... feeling good. The sutures in his gums had finally healed after painful surgery to correct his exaggerated overbite, the Soderbergh family curse. And having grown up in the oppressive heat and dampness of Baton Rouge, Louisiana, he liked ...
... feeling good. The sutures in his gums had finally healed after painful surgery to correct his exaggerated overbite, the Soderbergh family curse. And having grown up in the oppressive heat and dampness of Baton Rouge, Louisiana, he liked ...
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... like Gal Young 'Un, El Norte, and The Ballad of Gregorio Cortez, what Lory Smith, one of the programmers, admiringly described as “feel-good, socially responsible” pictures. They were content-driven, not director-driven,
... like Gal Young 'Un, El Norte, and The Ballad of Gregorio Cortez, what Lory Smith, one of the programmers, admiringly described as “feel-good, socially responsible” pictures. They were content-driven, not director-driven,
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Miramax, Sundance, and the Rise of Independent Fil Peter Biskind. as “feel-good, socially responsible” pictures. They were content-driven, not director-driven, often about less-than-pressing social issues. They were like Anne of Green ...
Miramax, Sundance, and the Rise of Independent Fil Peter Biskind. as “feel-good, socially responsible” pictures. They were content-driven, not director-driven, often about less-than-pressing social issues. They were like Anne of Green ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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