Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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It didn't matter to Bob if he were liked or not. Despite what Bob told the press—“We're artists. We're not interested in money”—he didn't much care about Truffaut. As former Miramax executive Patrick McDarrah succinctly put it, ...
It didn't matter to Bob if he were liked or not. Despite what Bob told the press—“We're artists. We're not interested in money”—he didn't much care about Truffaut. As former Miramax executive Patrick McDarrah succinctly put it, ...
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“Financing really didn't exist when we started,” says Sayles. “It was hard to get an independent script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected ...
“Financing really didn't exist when we started,” says Sayles. “It was hard to get an independent script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected ...
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You could manage your assets, make sure you didn't get hurt, and eke out a modest profit.” But indie films had one advantage that would turn out to be decisive. Cinecom had the good fortune to open its doors right at the beginning of ...
You could manage your assets, make sure you didn't get hurt, and eke out a modest profit.” But indie films had one advantage that would turn out to be decisive. Cinecom had the good fortune to open its doors right at the beginning of ...
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They didn't understand publicity. They didn't know about stories, angles, hypes, stunts. To them, publicity was just film reviews. Advertising, buying space. They were concert promoters.” But the Weinsteins gave Lewis the green light.
They didn't understand publicity. They didn't know about stories, angles, hypes, stunts. To them, publicity was just film reviews. Advertising, buying space. They were concert promoters.” But the Weinsteins gave Lewis the green light.
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Continues Doyle, “Newman also decided he didn't want any part of it anymore. He moved on. I was listening to them telling me stories—'Bob said this, Harvey did that, I can't stand it, Jimmy, I got to get out.' Now it was just me.
Continues Doyle, “Newman also decided he didn't want any part of it anymore. He moved on. I was listening to them telling me stories—'Bob said this, Harvey did that, I can't stand it, Jimmy, I got to get out.' Now it was just me.
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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