Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 82
Página
... didn't exist when we started,” says Sayles. “It was hard to get an independent script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected through an agent, they ...
... didn't exist when we started,” says Sayles. “It was hard to get an independent script to an actor, and you didn't bother going to a studio unless your script was commercial. And even then if you weren't connected through an agent, they ...
Página
... didn't want to read subtitles. These American films, despite the fact that they didn't reach a large audience theatrically, were worth something on video.” Video wiped out the foreign film market overnight and, along with cable and ...
... didn't want to read subtitles. These American films, despite the fact that they didn't reach a large audience theatrically, were worth something on video.” Video wiped out the foreign film market overnight and, along with cable and ...
Página
... didn't understand publicity. They didn't know about stories, angles, hypes, stunts. To them, publicity was just film reviews. Advertising, buying space. They were concert promoters.” But the Weinsteins gave Lewis the green light. At ...
... didn't understand publicity. They didn't know about stories, angles, hypes, stunts. To them, publicity was just film reviews. Advertising, buying space. They were concert promoters.” But the Weinsteins gave Lewis the green light. At ...
Página
... didn't want any part of it anymore. He moved on. I was listening to them telling me stories—'Bob said this, Harvey ... didn't know much about Miramax, had only heard that it was run by these two crazy brothers. He recalls, “I ...
... didn't want any part of it anymore. He moved on. I was listening to them telling me stories—'Bob said this, Harvey ... didn't know much about Miramax, had only heard that it was run by these two crazy brothers. He recalls, “I ...
Página
... didn't take advantage of her connection to Harvey. Which is not to say they weren't cynical about the relationship. What did a woman as beautiful as Eve see in a guy like him? they wondered. They were equally fascinated that he fell for ...
... didn't take advantage of her connection to Harvey. Which is not to say they weren't cynical about the relationship. What did a woman as beautiful as Eve see in a guy like him? they wondered. They were equally fascinated that he fell for ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York