Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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But the landscape had changed so dramatically since then that now it was a necessity. Redford understood that the most creative filmmakers were being increasingly shut out of the system. He also recognized that if a would-be filmmaker ...
But the landscape had changed so dramatically since then that now it was a necessity. Redford understood that the most creative filmmakers were being increasingly shut out of the system. He also recognized that if a would-be filmmaker ...
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Says Mark Lipsky, Miramax head of distribution in the late 1980s, “I've heard that story—'I saw 400 Blows, it changed my life'—a zillion times. It's significant that Harvey tells that story, not Bob.” Bob, dressed in black, ...
Says Mark Lipsky, Miramax head of distribution in the late 1980s, “I've heard that story—'I saw 400 Blows, it changed my life'—a zillion times. It's significant that Harvey tells that story, not Bob.” Bob, dressed in black, ...
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“Sundance started out as one thing and changed into something else,” she said in 1990. “It became more Hollywood. I haven't been back there since. I haven't been asked.” Adds another board member, “They eliminated the people who created ...
“Sundance started out as one thing and changed into something else,” she said in 1990. “It became more Hollywood. I haven't been back there since. I haven't been asked.” Adds another board member, “They eliminated the people who created ...
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Ironically, looking backward at what he helped wrought, his position has changed. “Maybe because so many of us came of age in the '60s, we envisioned an open infrastructure that had the rigorous participation of independent filmmakers ...
Ironically, looking backward at what he helped wrought, his position has changed. “Maybe because so many of us came of age in the '60s, we envisioned an open infrastructure that had the rigorous participation of independent filmmakers ...
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If The 400 Blows changed Harvey's life, as he claims, for Bob it was I Am Curious Yellow, rated X for full frontal nudity. The brothers noticed, as Bob wrote in Vanity Fair, “a packed audience of 'art-lovers' who never would have set ...
If The 400 Blows changed Harvey's life, as he claims, for Bob it was I Am Curious Yellow, rated X for full frontal nudity. The brothers noticed, as Bob wrote in Vanity Fair, “a packed audience of 'art-lovers' who never would have set ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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