Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... called Cinecom. “The studios were bidding up the price on the name-brand foreign films, the Truffauts, Fellinis, Bergmans, way out of proportion to what they could earn,” he recalls. “As a startup, we said, 'We can't compete with what ...
... called Cinecom. “The studios were bidding up the price on the name-brand foreign films, the Truffauts, Fellinis, Bergmans, way out of proportion to what they could earn,” he recalls. “As a startup, we said, 'We can't compete with what ...
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... called Beirut where she is naked on the stage most of the time.” But Estes was watching the dailies, and hadn't seen what he was looking for. He called Soderbergh, asked him, “Are you sure I've gotten all the footage? Because I'm not ...
... called Beirut where she is naked on the stage most of the time.” But Estes was watching the dailies, and hadn't seen what he was looking for. He called Soderbergh, asked him, “Are you sure I've gotten all the footage? Because I'm not ...
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... a blast of arctic air, which he expected momentarily. On March 8, he met with Pollack. He was excited, thought, Wow, Sydney Pollack! Soderbergh suggested a book called The Last Ship, set among a handful of survivors of World War III,
... a blast of arctic air, which he expected momentarily. On March 8, he met with Pollack. He was excited, thought, Wow, Sydney Pollack! Soderbergh suggested a book called The Last Ship, set among a handful of survivors of World War III,
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... called The Secret Policeman's Other Ball (SPOB). By this time Harvey was calling Lewis several times a day. Solicitously, he asked, “How's everything doing, how's the new show coming? Are the rights available?” Lewis's first obligation ...
... called The Secret Policeman's Other Ball (SPOB). By this time Harvey was calling Lewis several times a day. Solicitously, he asked, “How's everything doing, how's the new show coming? Are the rights available?” Lewis's first obligation ...
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... called Saturday Night Live, which, though a bit long in the tooth, was still flush with the success of its early years, and asked them to run the spot. They did, on Weekend Update. Recalls Lewis, “We had a huge story! Bob's and Harvey's ...
... called Saturday Night Live, which, though a bit long in the tooth, was still flush with the success of its early years, and asked them to run the spot. They did, on Weekend Update. Recalls Lewis, “We had a huge story! Bob's and Harvey's ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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